Holy Motors

Four years ago avant garde filmmaker Leos Carax contributed his unique storytelling to the anthology picture Tokyo! and told of a strange, seemingly mythical-esque humanoid resembling that of a leprechaun just released from an extended stay in solitary confinement at Shawshank. Rising from random manholes and fixated up to hovering crows he proceeds to walk confidently through the streets of Tokyo, grabbing everything that can be bitten into and trotting over patrons because they were unfortunately on his way to the next manhole he wished to crawl back into. If Godzilla were a 5’4” red-head he’d act a lot like this. This character again appears in Carax’s new picture Holy Motors, only the creature doesn’t torture the patrons of Tokyo he appears on the streets of London; and just before he kidnaps Eva Mendes to take her down with him into the sewers and treat her like a lady (minus licking her armpit with a blood-stained tongue and eating her hair; but what gentleman wouldn’t do that?) he performs some highly acrobatic motion-capture for game developers only just after he turned himself into an old hunchbacked homeless woman asking for change on the side of the road. He does something else before that as well. He also does many things after as many different personalities.



Rob Hunter recalls a year of marketing with 15 of the most exciting slices of cinema to hit big screens this year. The best trailers.



The man who Ebert has called the “next great American filmmaker” took some time out of a busy schedule to talk about his latest movie, Goodbye Solo, the importance of showing the bad parts of life, and a giant pile of trash floating around in the Pacific.



Rob Hunter loves movies. He also loved investing large sums into IMAX and Paramount (via Viacom) mere weeks before the release of Transformers 2. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs.



Director Joon-ho Bong only has three feature films to his name since his debut in 2000, but he’s considered my many to be one of South Korea’s best directors. We caught up with the busy director via email and asked questions to which he graciously responded.



Paris, je t’aime and the upcoming New York, I Love You are two examples of anthology films, but nestled in between them is the new film, Tokyo! Two French directors and one Korean take turns telling stories that attempt to explain if the city defines it’s people or if the people define the city.



Anthology films are always a mixed bag. It’s impossible to find one where each and every story shines, and invariably you’re stuck with sections of the films that you just don’t care about. The new film Tokyo! is hoping to change that perception.

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published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

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