Lesley Manville


After years of rumors and buzz, Disney’s live-action take on the Angelina Jolie-starring Maleficent is finally zipping along full steam ahead. THR reports (via Cinema Blend) that Elle Fanning is now set to star as Princess Aurora (best known to those not in the fairy tale know as Sleeping Beauty), along with a murderer’s row of the other prime cinematic talent. Fanning was rumored to be in talks back in March (thanks to a nifty exclusive over at Twitch), but it’s nice to get some confirmation on what’s really lovely casting. The outlet also appears to confirm that Sharlto Copley, who is going on a job-accepting tear, is set to co-star as “Stefan, the half-human, half-fairy bastard son of the human king.” The rest of the cast will now include including Imelda Staunton and Lesley Manville as Knotgrass and Flittle (two of three pixies who care for Princess Aurora), Miranda Richardson as fairy Queen Ulla (also Maleficent’s aunt, though she reportedly doesn’t like her so much), Sam Riley as Diaval (Maleficent’s “right-hand man who can transform into a raven”), and Kenneth Cranham as the human king looking to rule the fairy kingdom as well. While this casting is all well and good, we appear to be missing a vital role – the handsome prince!



Famed British filmmaker Mike Leigh recently received his fifth screenwriting nomination for Another Year. Another Oscar nomination for a highly celebrated filmmaker should be surprising to no one except, in this special case, for the fact that precisely zero of Leigh’s nominated films actually use screenplays. Leigh’s films are constructed through a painstaking and long-term process of creating characters and scenarios with his cast and creative team. His films aren’t improvised in the sense of, say, a Christopher Guest film, where a basic framework exists and actors are allowed to ad-lib and play with(in) that paradigm. Leigh’s films are instead created from the outset through an involved collaborative process. Leigh’s regular team of actors bring to each individual film their construction of a character from scratch. Details arise eventually through this collaboration, and the final work projected onscreen is the end result of a long selection of various possibilities. The only reason Leigh’s films even qualify for screenwriting awards is because of the written script that Leigh creates after the end product has been made. The physical screenplay, in this case, is nothing more than a transcription written after the fact, or a record of a much larger event (whose details are largely unknown to the audience). While Leigh is the sole nominee for Another Year, the creation of the script (or, in this case, the transcript) is just as indebted to the creative efforts of other individuals involved. Stars Jim Broadbent and Lesley Manville are, in a sense, just […]

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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