Knights of Badassdom

Jean Dujardin and Cecile de France in MOBIUS

The Weekend Watch is an open thread where you can share what you’ve recently watched, offer suggestions on movies and TV shows we should check out (or warnings about stuff to avoid), and discover queue-filling goodies from other FSR readers. The comments section awaits. I’ll get the ball rolling with the movies/TV my eyeballs took in this weekend.

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kramer

Joe Lynch’s removal from Knights of Badassdom has been a very public affair in the online world. The movie that surprised Comic-Con audiences all those years ago that disappeared only to re-emerge went through its troubles, namely Lynch’s cut being butchered in an editing bay. Directors don’t always (or normally) have final cut, but what Lynch is going through is a matter of being locked out completely. The film was recently picked up for distribution, but, from the sound of it, we won’t be seeing Lynch’s version any time soon. We don’t hear about these behind-the-scenes issues that often, but another famous case was The Weinstein Company’s handling of 2009’s immigration drama Crossing Over. Despite featuring Harrison Ford, Ray Liotta, Alice Eve, Ashley Judd, and a few other familiar faces, the movie went unnoticed at the box office and critics didn’t much care for it. In addition to the strong cast, it was directed by Wayne Kramer, the man behind The Cooler and Running Scared. Those are two fully-realized movies, while Crossing Over is a movie that, although containing commendable performances and moments, never quite comes together in the way that it should. And there’s a reason for that. The film certainly doesn’t deserve a 16% on Rottentomatoes, but, even Kramer would agree, it’s not on par with his other work. There are many, many political reasons why that’s the case, and when we spoke with Kramer for his new film, Pawn Shop Chronicles, he was ready to speak about the serious troubles he ran into at the Weinstein Company.

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knights-of-badassdom

You may remember Joe Lynch‘s upcoming film, Knights of Badassdom. The film, which stars Peter Dinklage, Ryan Kwanten, Steve Zahn and Summer Glau, tells the tale of a motley crew of LARPers (Live Action Role-Players) who unwittingly release a demon in the world, and must turn their fantasy heroics into real ones in order to destroy said demon. And I say “you may remember” because since the film’s debut at Comic-Con two years ago, news on Knights of Badassdom has all but dried up entirely. The few things to be heard about the film were not pleasant- namely, that its production company, IndieVest, removed Lynch from the film and that IndieVest owner Wade Bradley recut the film as he saw fit. This story broke back in March of this year; since then, there’s been no word of any developments.

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If the Alamo Drafthouse were a bar, directors Adam Green and Joe Lynch would be the salty regulars whose names everyone knew – pictures of their debauched antics would proudly adorn the walls. These filmmakers cut their teeth to the sounds of cheering genre fans in the hallowed arena of Fantastic Fest; Lynch with Wrong Turn 2, Green with Hatchet. Ever since their Fantastic Fest premieres, the Drafthouse doors have been open arms to these two passionate and insanely creative geeks. Without venturing too closely to the vocabulary of cults, Green and Lynch are our kind of people. To wit, the Drafthouse invited them to host an evening of cinematic mayhem dubbed A Very Green & Lynch Christmas. Our duly appointed masters of ceremonies would be presenting a showcase of their early work, current collaborations, and hints and teases at their upcoming projects. All through the night, they would be answering questions and providing humorous anecdotes about long, long ago and behind-the-scenes shenanigans. They would be giving away fabulous prizes and auctioning off still other prizes of even higher calibers of fabulousness; a date with Adam Green himself was even on the block! All proceeds from the evening would go to the American Legion Hall in order that they may install an elevator for disabled veterans. Here’s a breakdown of what we saw…

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Exclamation points! I love the fact that this trailer doesn’t start with Ryan Kwanten‘s character being normal and doing whatever his character does before diving into the fantasy. This trailer is all second act and context clues. In Knights of Badassdom, Kwanten plays a young man who needs an escape, so his friends (Peter Dinklage and Steve Zahn) kidnap him, strap some fake armor to his chest, and bring him to a LARPing (Live-Action Role Playing (let’s all pretend you needed that cleared up)) battle. It sounds like a lot of harmless fun. Until they summon a real demon who proceeds to rip out throats with her teeth.

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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Coroner

After a pretty dismal 2010 in terms of horror films, I decided to look into my crystal ball and peer into the future. By the future I mean 2011. While gazing deep into my crystal ball laptop monitor, I feel fairly confidant that 2011 will be approximately 78% better in terms of horror than the previous year. Why do I feel more confident in this year’s horror slate? Because in trying to find just 11 titles to bring attention to, I had to whittle it down from sixteen. Why not give you all sixteen? Because it’s 20-eleven, not 20-sixteen, duh. Anyway, here are the 11 horror films to keep on your radar this year.

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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