Michael Mann‘s Thief is like a ticking-clock thriller without an actual ticking clock. Frank (James Caan) is in a rush to make up for lost time, to achieve the life he wants, and is represented by his photo. A part of the film’s conflict is that Frank’s life of crime will lead to an inevitable blowup. As Mann would say, he’s a rat in a maze. That idea has sneaked its way into Mann’s later work, from Collateral to Public Enemies to Heat, as his characters are inexorably drawn towards an inevitable outcome for their actions. But it all started with Thief, which has now been released on Blu-ray by Criterion. From the hypnotic sounds of Tangerine Dream‘s score to the sumptuous beauty of Donald E. Thorin‘s cinematography, this 4K restoration of this landmark crime film has made Mann’s “rat in a maze” seem even more immersive. Despite his busy work on an untitled thriller (aka Cyber) Mann spoke with us about his classic directorial debut, offering his thoughts on its style, the virtues of editing as “the ultimate kind of writing” and the unparalleled intimacy of digital cinematography in a post-celluloid age.