By Max Covill
Whips and Chains are exciting, but why not have guns and car chases as well.
By Meg Shields
In praise of del Toro’s Gill-Man: Why fantasy is the political genre we need and deserve right now.
By Karen Gomez
‘The Mummy’ director Alex Kurtzman, who has also been a producer of the whole franchise, might be exiting.
By Meg Shields
Hereditary Horror: Lon Chaney, his son, and confronting the human grotesque.
By Max Covill
Bad franchise beginnings like The Mummy can soil an entire brand.