Three Billboards

Frances McDormand Advocates Turning Hashtags into ‘Inclusion Riders’

By  William Dass 

The Oscar-winning actress executed her own “The More You Know” moment at the awards last night. Here’s hoping it starts a fire.

2018 Oscar Predictions: Best Picture and Best Director

By  Neil Miller 

We’re down to our final two Oscar predictions for this year. Will it be Greta, Jordan, Guillermo, PTA, or Mr. Nolan winning Best Director? And will their film win Best Picture? Let’s find out together.

‘Three Billboards’ BAFTA Win Shakes Up Final Weeks of Oscar Season

By  John DiLillo 

Martin McDonagh’s crime drama got a last-minute resurgence from the British Academy Film Awards.

The Space Between Character Development and Redemption

By  Ciara Wardlow 

Three Billboards’ racist cop is a complex character. That doesn’t mean the film wants us to absolve him.

PGA and SAG Awards Begin to Clarify an Unpredictable Awards Season

By  John DiLillo 

‘The Shape of Water’ and ‘Three Billboards Outside Ebbing, Missouri’ build momentum ahead of tomorrow’s Oscar nominations.

Is ‘Three Billboards’ The New ‘Crash’?

By  Andrew Karpan 

McDonagh and Haggis are both sinewy edgelords. But different kinds.

The Success of ‘Three Billboards’ Depends on Who’s Doing the Talking

By  Matthew Monagle 

Martin McDonagh’s film may have cleaned up at the Golden Globes, but the numbers suggest a more diverse critical body wouldn’t have been so forgiving of its flaws.

The Working Class Heroes of 2017

By  Andrew Karpan 

This was a year in which Hollywood reached out into the rest of America to find some of its most compelling heroes.

In ‘Three Billboards,’ A Good Man Is Hard to Find

By  Valerie Ettenhofer 

Martin McDonagh’s latest toys with absurdism to create something profound.