The Queue

The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.

If you’re new to The Queue, start here:

Explore the full archives for The Queue below

Mother

What Bong Joon-ho Can Teach Us About Transnational Cinema

By   

Time to dig into some film theory.

Backstroke Of The West Star Wars Fan Edit

The Ramifications of Remix Culture: A Brief History of the Fan Edit

By   

The author is dead. Long live the author.

Spider Man Into The Spider Verse animation frame rate

Why a Higher Frame Rate Doesn’t Automatically Make Animation Better

By   

Sometimes less is more.

To Live And Die In La Money

Show Me the (Fake) Money: The Art and Artifice of Prop Currency

By   

(Fake) money makes the cinema world go round.

Tropic Thunder film within a film

Farce and Fiction: What Makes a Great Movie Within a Movie

By   

Why aren’t we calling movies within movies “cinemaception” though?

Death Becomes Her Moving Master Shot

What Robert Zemeckis Can Teach Us About the Moving Master Shot

By   

Want to get a lot of coverage with fewer set-ups? Consider opting for a moving master.

The Shining Pov Shot

Watching and Being Watched: The Narrative Power of the POV Shot

By   

A little perspective never hurt anybody.

American Honey Sasha Lane

How the Female Gaze of ‘American Honey’ Unsettles the Road Movie

By   

Anyone else feel like going for a little drive?

Moon Duncan Jones Sam Rockwell

Getting to Know You/rself: The Confrontational Humanism of ‘Moon’

By   

Time to add ‘Moon’ to the “Quarantine Vibes” pile.