The Queue

The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.

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Explore the full archives for The Queue below

The Royal Tenenbaums

The Aesthetics of Class in the Films of Wes Anderson

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You know what they say: the views are better (and lonlier) above ground.

The Sound Of Music Muted

How “Mute By Default” Social Media Videos Affect Our Viewing Experience

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In one of the great paradoxes of cinema history, thanks to social media apps, we’ve returned to silent cinema.

Tony Leung In The Mood For Love

Just One Look: How Tony Leung Acts with His Eyes

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The eyes (of Tony Leung) have it.

More American Graffiti

George Lucas’ Wildest Sequel: The Admirable Audacity of ‘More American Graffiti’

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No, it’s not the ‘Star Wars’ prequels.

Mon Oncle

The Warm Absurdity of Old vs. New in Jacques Tati’s ‘Mon Oncle’

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Reject modernity, embrace slapstick comedy.

My Brilliant Career Australian New Wave

The Beginner’s Guide to the Australian New Wave

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From ‘Wake in Firght’ and beyond, mate.

Edward Yang Yi Yi

Edward Yang’s ‘Yi Yi’ and the Cinematic Poetry of Liminal Space

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“Why are we afraid of the first time? Every day in life is a first time.”

Moonrise Kingdom Influences

Knowing Nods: Wes Anderson’s Approach to Cinematic Resonance

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“I always wished I was an orphan. Most of my favorite characters are.”

The Red Shoes Horror

Danse Macabre: How ‘The Red Shoes’ Introduced Ballet to Horror Cinema

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Anyone else hear toes cracking or is it just us?