The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
Guitar twangs, piccolos, and bass trombones, oh my!
By Meg Shields
Technicolor growing pains, soft-spoken narration, and a commanding feminist point of view. Here’s a look at what makes Renoir’s first color feature so great.
By Meg Shields
The son, the father, and the holy GOAT.
By Meg Shields
Arguably one of the most visually identifiable directors working today, here’s a quick celebration of the center frames of Spanish auteur Pedro Almodóvar
By Meg Shields
A bold, uncompromising voice in cinematography: here’s a quick intro to what defines the work of Natasha Braier.
By Meg Shields
How did Denis Villeneuve get to ‘Dune’? Here’s a quick introduction to how the French-Canadian director found his creative voice.
By Meg Shields
Looks like the uncanny valley was only … skin deep.
By Meg Shields
Want to know why rhetorical questions stick in our heads? Well, do you, punk?