Column.
By Rob Hunter
‘After Hours’ is a comedy, but it’s also a drama. And a horror film. And an essential masterpiece in Scorsese’s filmography.
By Rob Hunter
‘To Live and Die in L.A.’ is one of the last films to carry over the dark cynicism of ’70s cops/robbers cinema.
By Rob Hunter
‘The Happiness of the Katakuris’ is a revelation for most people only familiar with his darker, far more cynical, and gruesome side.
By Rob Hunter
‘Time After Time’ is a fun, thrilling, and sweetly romantic ride that works beautifully as cross-genre entertainment.
By Rob Hunter
‘Nine to Five’ is about letting go of prejudices and preconceived notions and opening your mind to new ideas.
By Rob Hunter
Jonathan Mostow’s ‘Breakdown’ is a lean, muscular machine that hits the pavement in high gear and rarely lets up until the end.
By Rob Hunter
Jean-Pierre Jeunet’s ‘Amélie’ is a romantic comedy that is also an expression of creativity and an appreciation of human contact.
By Rob Hunter
“If you’re so depressed how come you’re eating pizza?”