Topic of interest.
By Charlie Brigden
John Williams’ score for ‘The Last Jedi’ is as dynamic and different as the movie itself.
By Matthew Monagle
It’s time for the Academy to recognize the work of one of Hollywood’s most talented film composers.
By Jacob Oller
By Meg Shields
Thor: Ragnarok’s score is an 80s-tinged cosmic funk fest and Marvel should be taking notes.
By Cooper Peltz
Noah Baumbach elevates a film trope from the 1940s.
Halloween playlists, unlike movies, come with far fewer ground rules or critical consensus.
By Bethany Wade
The Emmy-winning composer talks about working with one of his influences, his composing process and his success with Mr. Robot.