Film Festivals

Parasite ending

‘Parasite’ Review: Bong Joon-ho’s Latest Is a Tragicomic Thrill Ride

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The hijinks of ‘Home Alone’ meet the absurd comedic sensibilities of ‘Burn After Reading’ meets the dramatic commentary of ‘The Ice Storm.’

Portrait Of A Lady On Fire

‘Portrait of a Lady on Fire’ Review: This Is Céline Sciamma’s Masterpiece

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A film that invades your mind, body, and soul as the 18th century hypnotizes you into a romantic trance like a sunset lullaby.

Piano Resized

25 Perfect Shots From the Past 25 Years of Cannes

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The festival of master auteurs is a one-stop shop for perfect shots.

Come To Daddy

‘Come to Daddy’ Review: Not All Families Should Have Reunions (Fantasia 2019)

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Elijah Wood is game for anything Ant Timpson and Stephen McHattie throw his way.

Gasoline Thieves

‘The Gasoline Thieves’ Review: Love Is Combustible Too

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Ripped from the headlines, and it just might rip your heart out too.

The Curse Of La Llorona

‘The Curse of La Llorona’ Review: Someone Saw ‘The Conjuring’ But Forgot to Take Notes

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Turns out the real curse were the generic and bland scares we met along the way.

Depraved

‘Depraved’ Review: Larry Fessenden’s ‘Frankenstein on the Hudson’ (Fantasia 2019)

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The legendary New York filmmaker’s latest masterwork explores the father/son dynamic of Mary Shelley’s timeless classic.

Villains Movie

‘Villains’ Review: Come For the Violent Parody, Stay for Jeffrey Donovan

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Dan Berk and Robert Olsen’s latest film takes messy, fun aim at movies like Blue Velvet, Wild at Heart and True Romance.

Pet Sematary

‘Pet Sematary’ Review: Sometimes, The Original Is Better

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The lead performances are greatly improved, but the horror of it all leaves a lot to be desired.