Film Festivals

‘Ash Is Purest White’ Review: Tao and Zhangke Solidify Themselves As One of Film’s Greatest Duos (NYFF)

By  Luke Hicks 

Zhangke’s latest is a mesmerizing dive into the rural Chinese underground.

‘The Night Comes for Us’ Review: Welcome to Action Movie Nirvana, Please Excuse the Puddles of Blood

By  Rob Hunter 

Turns out you don’t need Gareth Evans to make ‘The Raid 3.’

‘Burning’ Review: Lives, Like Love, Are So Easily Set Aflame (Fantastic Fest 2018)

By  Matthew Monagle 

Steven Yeun brings the full weight of his international star power to bear in this haunting South Korean revenge story.

‘May the Devil Take You’ Review: Family Reunions Are Hellish (Fantastic Fest 2018)

By  Kieran Fisher 

“Fortune shall be paid… with souls.”

‘The Boat’ Review: A Must-See Fight for Survival Against Extraordinary Odds

By  Rob Hunter 

‘Duel’ meets ‘All Is Lost’ as terror and tension carve a path across the open sea.

‘You Might Be the Killer’ Review: Sam and Chuck vs a Far Too Casual Evil

By  Rob Hunter 

There’s a body count, but Fran Kranz and Alyson Hannigan save the day.

‘The Wind’ Review: In the American West, No One Can Hear You Scream

By  Matthew Monagle 

Emma Tammi’s feature film debut showcases the potential of the horror-western as a new mode of independent filmmaking.

‘Halloween’ Review: Yup, It’s a ‘Halloween’ Sequel

By  Rob Hunter 

Not the best Halloween II, but not the worst either.

‘Between Worlds’ Review: Come for the Cage, Stay for the Cage (Fantastic Fest 2018)

By  Kieran Fisher 

Nic Cage is back to making poor career decisions for our entertainment.