Fantastic Fest

Film Festival.

Standoff At Sparrow Creek

Henry Dunham on his Exhaustive Preparation for ‘The Standoff at Sparrow Creek’


We chat with the director about knowing your film in and out before ever shooting a single frame.

No Featured Image

‘Anna and the Apocalypse’ Review: Pure Genre Joy with a Toe-Tapping Beat


If you’re not smiling during this one, you’re probably an asshole.


‘Overlord’ Review: War Is Hell


The ‘Saving Private Ryan’ boys take a tour through Herbert West’s laboratory.


‘Rabbit’ Review: Running Towards the Unexpected


Surprise. Australia is still the world’s most dangerous place.

An Evening With Beverly Luff Linn

Jim Hosking and David Wike Discuss Diving into Melodrama for ‘An Evening with Beverly Luff Linn’


We continue our conversation with the director and writer of the year’s oddest, most adorable romantic comedy.

Mids Cast

Jonah Hill and the cast of ‘Mid90s’ on Embracing Authenticity and Avoiding Nostalgia-Porn


We chat and eat tacos with the director and cast, and discuss why the 4:3 ratio was essential to capturing raw performance.

Life After Flash Fantastic Fest

Lisa Downs on Transforming Her Fandom into the Celebratory ‘Life After Flash’


We chat with the director about assembling a gargantuan amount of footage into one cohesive documentary.

The Guilty

‘The Guilty’ Review: Sometimes One Location Is All You Really Need


Danish filmmaker Gustav Möller makes his feature debut with a smart and stylish thriller set entirely in a police dispatcher’s office.

After The Screaming Stops

Joe Pearlman and David Soutar Discuss Their Award-Winning Documentary About Bros


Who the hell are Bros?