Filmmaker.
By Meg Shields
High contrast lighting and over-the-shoulder shots? Must be an interrogation scene.
By Meg Shields
Because nothing says “obsession with an elusive killer” quite like the color of bile.
By Anna Swanson
You don’t get to become an Oscar contender without making a few enemies.
By Meg Shields
Fincher is a man of details, so let’s look at one of his most recurring calling cards.
By Luke Hicks
With the release of ‘Mank,’ it is now time to rank.
