By Lex Briscuso
Damien Chazelle wants to dance his dance again, but this time, the Hollywood bacchanalia won’t save him from his cinema sins.
With his 2014 Best Picture nominee, Damien Chazelle takes a film about music to the next level.
By Meg Shields
Sure, you’d watch a film shot on an iPhone, but what if it were shot vertically?
By Rob Hunter
Heads up haters — they don’t even mention the American flag once.
By Sheryl Oh
Considering how ‘First Man’ oscillates between filmmaking styles, editing creates the intense atmosphere necessary for a highly satisfying take on the Moon landing.
By Farah Cheded
Al Reinert’s seminal space documentary leaves its mark on First Man’s surface.
Music big enough to fill the void.
The movie could be recut and called ‘Secondary Woman’ and still work because the role and performance are that exceptional.
By Max Covill
You will not have experienced ‘First Man’ until you see it in IMAX.