We chat with the cinematographer about accomplishing the grit of ‘Uncut Gems’ and how it pushed him unlike any other movie.
We chat with the cinematographer about the tools required to shoot a cinematic, sci-fi comedy series.
We chat with the cinematographer about finding artistry in a world in which we all think we’re experts.
“They call it virtual reality, but at a certain point, you put on the goggles, and the environment is realistic enough that you feel that it’s very real.”
We chat with the cinematographer about replicating cinematic memory to achieve emotional reality.
These shots capture some of the most shocking, funny, and cool moments of the director’s impressive filmography.
Turns out that six episodes spanning all of human history involves tackling a wide range of visual challenges.
By Hans Qu
“Play it again, Salamence.”
Kubrick shed stodgy costume drama aesthetic by embracing top tier technology.