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Film Festival.
Cannes Review: ‘Gimme The Loot’ Is A Slight, But Entertaining Slice Of New York
By
Kate Erbland
Cannes Review: ‘Beasts of the Southern Wild’ Is a Magical, Wonderful Treasure
By
Kate Erbland
Cannes Review: Bernardo Bertolucci’s ‘Me and You’ Is A Slight Return From The Veteran Director
By
Kate Erbland
Cannes Review: Great Performances Can’t Save Lee Daniels’ ‘The Paperboy’
By
Kate Erbland
Cannes Review: ‘The Angels’ Share’ Scores Another Success For Ken Loach
By
Kate Erbland
Cannes Review: ‘The Hunt’ Is Sublimely Affecting, Award-Worthy Drama
By
Kate Erbland
Cannes Review: Leos Carax’s ‘Holy Motors’ Is (The Good Kind of) Bat-Shit Crazy
By
Kate Erbland
Cannes Review: ‘The Sapphires’ Is An Aboriginal ‘Dreamgirls’
By
Kate Erbland
Cannes Review: Tits, Teeth, and Rutger Hauer in Dario Argento’s ‘Dracula 3D’
By
Kate Erbland
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