The ‘Shaun of the Dead director isn’t laughing anymore.
Watch this video essay that demonstrates how tracking shots take audiences into and through a film along with the characters.
Genuine locations were the place to be at the movies this year.
By Max Covill
Baby might need some new iPods to hold all the new music coming in a sequel.
By Jacob Oller
These are the people you want driving your Uber.
By Cooper Peltz
Taking a look at every time a director has used Barry White’s Never, Never Gonna Give Ya Up in film history.
Edgar Wright’s latest film isn’t getting enough credit for its strong storytelling.
What has been seen cannot be unseen: the summer blockbuster Oedipal Complex and why Freud would have enjoyed Baby Driver more than you.
We’re halfway through the year, and we’re already making the American box office charts great again.