SXSW

Film Festival.

Yes God Yes

Karen Maine and Natalia Dyer on Shattering Self-Pleasure Tropes in ‘Yes, God, Yes’

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There is no shame in loving your self.

Pet Sematary

‘Pet Sematary’ Review: Sometimes, The Original Is Better

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The lead performances are greatly improved, but the horror of it all leaves a lot to be desired.

Hulu’s ‘Shrill’ Brings Bold Storytelling and Body Positivity to the Screen

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Hulu’s new show is a beautiful and honest portrayal of body positivity in the age of the millennial dramedy.

Girl On The Third Floor

‘Girl on the Third Floor’ Review: Bad Behaviors and Bodily Fluids Paint the Walls Sticky

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An unsettling and icky descent into a man-made hell.

‘Good Boys’ Review: Who Knew R-Rated Comedy Could Be So Adorable

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The SXSW headliner brings cuteness to an R-rated world.

The Inventor

‘The Inventor: Out for Blood in Silicon Valley’ Review: Alex Gibney Shows Us the Rotten Side of Innovation

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Alex Gibney’s latest documentary considers the Silicon Valley mindset through the case of Theranos founder Elizabeth Holmes. Our review.

The Day Shall Come

SXSW 2019: Chris Morris Discusses His New Comedy ‘The Day Shall Come’

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The cult favorite writer, director and comedian behind Four Lions, Nathan Barley and The Day Today talks about his highly anticipated sophomore feature.

Booksmart

‘Booksmart’ Review: Over Achievers for Life

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Olivia Wilde’s directorial debut is an instant classic.

Boyz In The Wood

‘Boyz In the Wood’ Review: Nature Gets Naughty In The Scottish Highlands

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Think ‘Hot Fuzz’ meets ‘Attack the Block’ and you’ll have an idea of the fun in store.