Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay that explores why you should watch William Dieterle’s The Devil and Daniel Webster.
It’s the mid-1800s in New Hampshire, and an incredibly named (but incredibly unlucky) farmer named Jabez Stone (James Craig) yearns for a better life. His bible-clutching mother (Jane Darwell) and soft-eyed bride (Anne Shirley) assure him that they’re happy; that being together is enough. But Jabez dreams of the easy life. And, in a moment of weakness, he falls prey to that most infamous of temptations: he offers to sell his soul.
Instantly, a man — that is, if he is a man — appears Mr. Scratch (Canadian-born Hollywood royalty Walter Huston). With the slick charm of a seasoned salesman, Scratch promises prosperity and good fortune for the paltry sum of Jabez’s eternal soul. Naturally, when the other shoe drops, Jabez realizes only one man can save him: lawyer, statesman, and real historical figure, Daniel Webster (Edward Arnold).
Also marketed as All That Money Can Buy, William Dieterle‘s 1941 film slots in nicely amidst its American folk horror peers, which tell and re-tell the tale of a desperate man willing to risk everything for success. It’s a fitting cautionary tale for a nation steeped in Devil deals and predatory capitalism. And few Hollywood productions have done the legend justice quite like The Devil and Daniel Webster.
If you need more convincing, here’s a video essay on why you need to check this gem out, from its expressionistic cinematography to Bernard Hermann’s only Oscar-winning score.
Watch “The Devil and Daniel Webster (1941) – 20th Century Gems”
Who made this?
This video essay on why The Devil and Daniel Webster rules is by APLattanzi, a freelance filmmaker and illustrator who hails from the Philadelphia area. You can subscribe to them on YouTube here. Their essays cover a large swath of topics, from film scores to short films. You can also find them on Letterboxd here.
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- For another sample of APLattanzi‘s work, here’s their essay on the source material behind one of cinema’s most incomprehensible films: Last Year at Marienbad.
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- You Have Been Watching Films — who we often feature here — have their own video essay on the ancient-modern push-pull of Son of the White Mare.
- And here’s APLattanzi with a video essay that unpacks the question of why we’re so obsessed with special effects that look like the real world.