Movies, we love ’em. Film School Rejects covers a wide range of movie-related topics, from reviews of new releases to retrospectives on classic films. We also love making lists, writing essays about how our favorites were made, and talking about the most interesting projects in development.
For your consideration — our favorite movies from the last few years:
You can also browse our archives by genre — everything from Horror to Action to Comedy.
By Scott Beggs
In the Senationalist Headline department today, we’ve received news that the embodied reincarnation of Hollywood’s Golden Age is going to challenge the limits of an audiences patience by staring at a goat on screen for two hours.
By Scott Beggs
If you’ve got a desperate itch to see The Dark Knight after walking down the red carpet or want to clink champagne glasses with Christian Bale, the fine folks over at Charity Buzz are giving you a great opportunity.
By Neil Miller
It appears that we now know what mysterious book will be the source material for Juno director Jason Reitman’s next film: Walter Kirn’s “Up in the Air”.
By Scott Beggs
In the News We’re Required By Law To Care About section today, the final piece of the W puzzle fell into place as Toby Jones joined the cast of Oliver Stone’s Bush Biopic.
By Scott Beggs
That rumbling from the foothills you heard this morning was Michael Moore heading to a press conference where he announced that he’ll be helming a sequel to Fahrenheit 9/11 – his 2004 documentary.
By Rob Hunter
Welcome to Foreign Objects, a new weekly review column covering the world of film outside the USA. I know what you’re thinking, ‘They make movies outside of Hollywood?’ The answer is yes.
By Scott Beggs
Lionsgate has picked up Oliver Stone’s new automatically-controversially film W. The studio plans to release the movie on October 17th. That’s right. A movie that doesn’t even have one of its featured characters cast is going to be in theaters in 161 days.
By Scott Beggs
For a culture inundated with awards shows and general bouts of celebrities patting themselves on the back, it’s nice to see that the MTV Movie Awards is still relevant.
By Neil Miller
Upon screening Speed Racer, the latest attempt by the brothers Wachowski to push the envelope of technical effects in filmmaking, I can come away with one two clear conclusions. On one hand, I have a headache. On the other hand, I have decided that the Wachowskis are sick, in more ways than I can count.
