Behind the Best Part of Netflix’s ‘Hollywood’
Sarah Evelyn and Lou Eyrich talk about how they made the 1940s come alive through costume design.
Interviews
DP Sam McCurdy on Bringing Noir to ‘Game of Thrones’ and ‘Lost In Space’
We chat with the cinematographer about the lovely landscape of darkness needed to bring big screen art to the small screen.
DP Jeff Cronenweth on Selecting the Tools to Shoot ‘Tales from the Loop’
We chat with the cinematographer about how determining color and focus are essential to achieving narrative.
Justin Kurzel on ‘The Kelly Gang,’ Australian Gothic Mythology, and the Perfection of George MacKay
We chat with the filmmaker about bringing the emotional truth of an outlaw icon to the screen and the process of capturing a very different side of Australia.
Drake Doremus Talks ‘Endings, Beginnings’ and Love at First Sight with Sebastian Stan
The filmmaker discusses casting, happy accidents, and rewriting in the edit room.
Comic Book Legend Stephen R. Bissette Wrote a 660 Page Book About Cronenberg’s ‘The Brood’
We chat with the writer and artist about his compulsion to dissect - in detail - David Cronenberg's horrifyingly rageful tale of divorce.
Michael Shannon and the State of Small-town Sinners in ‘The Quarry’
The actor discusses the timeliness and attraction of his new film about personhood and redemption.
‘Sea Fever’ is a Monster Movie with No Monsters, Just Animals That Gotta Eat
We chat with writer/director Neasa Hardiman and actress Connie Nielsen about the missions that drove them to make a creature feature.
Eunice Huthart on the Physical Revolution Required for ‘The Rise of Skywalker’
We chat with the stunt coordinator about the daily sacrifice committed by the actors, and how pleasure and pain become one for 'Star Wars.'
Brett Haley on the Knee-jerk Filmmaking Required for ‘All the Bright Places’
We chat with the director about the connective power of cinema, and why we all need it right now.
