Interviews

Max Borenstein on the Rules of Writing ‘Godzilla vs. Kong’

By Jack Giroux 

In our interview with the screenwriter, he talks about working with two iconic characters and why the humans are now co-stars more than ever.

Adam Wingard on Shooting ‘Godzilla vs. Kong’ as an Immersive 800 MPH Brawl

By Brad Gullickson 

We chat with the director about attaching cameras to fins and fists and why these two titans reign over all others.

Why the ‘WandaVision’ Visual Effects Team Went Blue for Vision

By Brad Gullickson 

We chat with VFX Supervisor Tara DeMarco about the challenges of capturing a physical performance in a digital construct.

Anthony Russo Explains How Six Tones are Better than One in ‘Cherry’

By Brad Gullickson 

We chat with the director about his new film and how he and his brother jumbled genres to capture life in chaos.

Roseanne Liang Wants to Live and Die Making Action Movies

By Jack Giroux 

From her days in film school in New Zealand to most recently shooting monster action, she has always had action movies in her DNA. 

How Craig Brewer Went from Couch Surfing to ‘Coming 2 America’

By Jack Giroux 

We talk to the filmmaker about his career, the truth about ‘Hustle & Flow,’ and his work with Eddie Murphy.

How They Shot ‘WandaVision’ with One Camera and 47 Lenses

By Brad Gullickson 

We chat with cinematographer Jess Hall about the process of duplicating seven television eras for the Marvel series.

How David Prior’s ‘The Empty Man’ Survived the Perfect Hollywood Storm

By Matthew Monagle 

We talk to the filmmaker about the unfortunate fate of his ambitious horror fIlm.

Henry Jackman Cooks Musical Chaos in His Laboratory for ‘Cherry’

By Brad Gullickson 

We chat with the composer about embracing instrumental instability to craft the ambiguous score sought by The Russo Brothers.