Talking Westerns and Perfect Shots with Vincent D’Onofrio
The legendary actor discusses the origins of his new film 'The Kid' and working with both longtime collaborators and new faces.
Interviews
Brian Michael Bendis On What Made ‘Into the Spider-Verse’ Unlike Any Other Adaptation
We congratulate the co-creator of Mile Morales on the Academy Award win and discuss the surreal delight of seeing his characters swing onto the big screen.
Composer Justin Hurwitz Tells Us About ‘First Man’ and His Theremin Skills
How the Oscar-winning composer found humanity in a very otherworldly instrument.
Darren Lynn Bousman Details the Three Film Scores that Inspired ‘St. Agatha’
We chat with the director about moving beyond the ‘Saw’ guy label and enjoying the many flavors of terror that the horror genre has to offer.
Mark Duplass and Ray Romano Discuss Their Platonic Rom-Com Cancer Movie ‘Paddleton’
We chat with the actors about crafting their characters as well as their chemistry in the moments between “Action” and “Cut.”
A Conversation with ‘What Men Want’ Director Adam Shankman
The director behind behind Hairspray (2007) and the remake of the Nancy Meyers' comedy talks to us about his feelings on opening day, choosing your battles, Erykah Badu as living art, and loving what …
Jodi Benson on the 30th Anniversary of ‘The Little Mermaid’ and The Chances of a Disney Princesses Movie
The iconic voice of Ariel discusses the ongoing legacy of the movie and her character as well as the inevitable live-action remake.
Chiwetel Ejiofor and William Kamkwamba on Seizing Global Attention with ‘The Boy Who Harnessed the Wind’ at Sundance
We chat with the director and his subject about using cinema to effect change across the globe.
Director Catherine Hardwicke on Bringing ‘Miss Bala’ to the Screen
The director behind 'Miss Bala' talks us through some of the film's most exciting visual sequences.
How Mister Rogers Inspired Sam Elliott to ‘Kill Hitler and then The Bigfoot’
We chat with Robert D. Krzykowski about his contemplative monster movie, and why the title ‘The Man Who Killed Hitler and Then the Bigfoot’ purposefully ruins the movie.