The Cinematic Life (and Death) of Robin Hood: How Realism Kills Legends

"Rob? That's a naughty word. We never rob. We just sort of borrow a bit from those who can afford it."
Robin Hood Disney

Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on why Disney’s Robin Hood rules.

When an animated film becomes a “timeless classic,” it can be easy to forget that it was made during a specific time and place. While old-fashioned techniques like rotoscoping and cel animation can give up a film’s age, at face value, animated classics — from Sleeping Beauty to My Neighbor Totoro — don’t tend to feel as tied down to any particular decade as their live-action counterparts. Which makes sense. Like musicals, animated films tend to intentionally lean into the suspension of disbelief. Animals talk, the laws of physics wobble, and the world feels overwhelmingly filled with color. And this is why, in part, animated films make such a perfect medium for myths.

Disney’s Robin Hood came out in 1973, and if you’re looking for them, there are giveaways that point to the film’s origins both within a tumultuous decade and a tumultuous period within the company’s history. Robin Hood was made in the midst of the “Disney Dark Age,” a period of creative and financial uncertainty in the wake of Walt Disney’s passing. The film was forced to cut financial corners, trim its runtime, and assume a more uncinematic gait. But adversity worked in Robin Hood‘s favor, endowing the film with a compact and light-hearted informal breeze. It is both knowingly unpolished and impressively economical. The film squeezes centuries of folklore into a sort of “greatest hits” album for the myth itself.

The video essay below offers a more in-depth explanation of why Disney’s Robin Hood slaps, both on its own terms and as a “Robin Hood movie.” The essay concludes by noting that Disney’s Robin Hood was, in a way, one of the final films to let the legend exist untethered from the grim realities of the real world. Gritty reboots aren’t a new invention. A keen eye towards historicism has its time and place. But by anchoring a mirth-filled legend in a mirthless world, the legend of Robin Hood became a little less legendary.

Watch “Disney’s Robin Hood and the Death of Color”:

Who made this?

This video on Disney’s Robin Hood is by Jace, a.k.a  BREADSWORD, an LA-based video essayist who specializes in long-form nostalgia-heavy love letters. Impeccably edited and smoother than butter, BREADSWORD essays boast an unparalleled relaxed fit and an expressive narrative tone. Long essays like this take a lot of time to put together, and somehow BREADSWORD makes it all look effortless. You can subscribe to them on YouTube here. And you can follow them on Twitter here.

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    Meg Shields: Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How'd They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman's 'Excalibur' on Twitter here: @TheWorstNun. (She/Her).