Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the symbolism and aesthetics of dangerous (and often robotic) women in red dresses.
We’d all like to believe that the human mind is an impenetrable fortress. That we know our brains and that we’d know when they’re being taken advantage of.
This is, of course, not the case. Indeed, our monkey brains respond to plenty of stimuli on a subconscious level. And those responses are being exploited, intentionally, by forces in the know. Like marketing agencies who know that seeing the color red makes you hungry, so it’s advantageous to paint advertisements accordingly.
But red also carries connotations of another kind of hunger. There is a strong cultural association between the color red and a very specific kind of feminine sexuality. It intones a standard of beauty that is both idealized and weaponized: a lady in red; a vamp; a scarlet whore of Babylon.
Which brings us to the fembot and to her often dangerous scarlet spectacle. As the video essay below suggests, Hollywood sci-fi wields the connotations of the lady in red to great, and sometimes self-reflexive effect. The red-clad fembot is not simply a symbol of purposeful femininity or a reduction of womanhood in media. At her boldest, she is a reminder of our humanity and of the programming that, ironically, renders us most machine-like.
Watch “Fembot in a Red Dress“:
Who made this?
Allison de Fren is a writer, professor, and media scholar who focuses on the relationship between the body and technology. She teaches at Occidental College in Los Angeles. Her documentary The Mechanical Bride examines the modern-day phenomenon of artificial dolls for sex and companionship. You can follow her on Vimeo here.
More Videos Like This
- Anyone familiar with de Fren’s interests will find it unsurprising that she has a video essay on Alex Garland‘s Ex Machina: an investigation into how the film questions the human-machine.
- Likewise: here’s her look into one of the most famous pieces of fembot cinema: The Stepford Wives.
- And here’s one more: on mad science, mad love, and the female body in pieces.
- Speaking of Ex Machina, here is Queue favorite Lessons From the Screenplay with a look at how the film’s script carefully controls what we, the viewer, know and when we know it.