There are no morally sound characters in Black Death, Christopher Smith’s followup film to Triangle. Nearly every character is a pure bastard. No one in…
If there must be one film to be labeled as the true winner of this year’s SXSW, it’s without a doubt Joe Cornish’s feature debut…
SXSW Interview: Michelle Monaghan Discusses ‘Source Code’, Hipsters, and Pee-wee Herman Pee-wee Herman and hipsters were not topics of discussions I was looking to tackle with…
Gore Verbinski’s Rango is not a spoof or satire of westerns. It is, in fact, a genuine western. Keeping that in mind, Verbinski hasn’t made…
Hatchet II is probably going to end up like the first film: not exactly a success in theaters, but destined for cult status instead. So…
There are 130 films this year at Austin’s SXSW, and 60 of them being world premieres. When you scroll down the list of the films…
It’s been a year since the Sundance debut of John Wells’ directorial debut, The Company Men. Films like these are a rare breed. It’s not…
The Green Hornet hasn’t been treated all too kindly on the interwebs for a while now. Ever since the announcement of Seth Rogen starring in…
Interview: Carla Gugino Talks Criticism, Every Day, and Sucker Punch Carla Gugino’s latest film, Every Day, says a lot about the writing and creative process. The…