By Andrew Karpan
John Cameron Mitchell’s newest movie turns a Neil Gaiman short story into a vivacious cannibal punk extravaganza. He says it’s a metaphor for Brexit.
Sexbots return to the imagination in an indie tech tale that follows in the footsteps of ‘Her’ and ‘Ex Machina.’ Ewan McGregor & Léa Seydoux star.
The definitive version of Anton Chekhov’s play arrives, starring Annette Bening, Saoirse Ronan, and Elisabeth Moss.
Christina Hendricks, Alysia Reiner and Anna Camp star in a manners comedy about pregnancy among rich hipsters, look uncomfortable.
A vivid NYC coming-of-age indie with Molly Ringwald, Jemima Kirke and Harley Quinn Smith on the edges.
Jason Reitman returns with Charlize Theron and Diablo Cody for his warmest movie since Juno.
In his English-language debut, Sebastián Lelio makes his idea of ‘Carol.’ A canny move from the Oscar winner!
Fifty years later, Michael Benson’s new book breaks down Kubrick’s biggest movie. But what’s left?
Will a ‘Sopranos’ movie be able to square itself with America’s racist past as well as it’s own?
