Editor’s note: The Pusher remake hits limited screens today, so please imbibe this quality review from our Fantastic Fest coverage, first posted on September 30, 2012. Despite what many movie fans might tell you, remakes are not inherently evil. Some movies had good ideas but couldn’t execute them properly, some could use a facelift, and some were great the first time but simply fell victim to the studio’s desire to cash in. Remakes have a bit of a tough road. First off, the they need to do what any movie needs to do: put together a good story and good performances with good cinematography. These are simply the basic building blocks of good films. But a remake has baggage, it has people’s expectations hoisted upon it. And so a remake, unlike a film based on an original idea, must also justify its own existence. Sadly, Luis Prieto‘s Pusher only manages to accomplish one of the two.