Will Poulter

Son of Rambow 01

As one of the more enjoyable YA adaptations and one that skews male in its appeal, The Maze Runner could be a crossover hit this weekend. To be a part of the crowd, you’ll want to go see the story of Thomas (Dylan O’Brien), a guy who wakes up en route to a mysterious courtyard that will be his new home until he can escape the surrounding labyrinth. And afterward, as you try to figure out all the questions you have about the plot and which might be answered in the sequel (and maybe prequel), you’ll want to go through this week’s list of movies to watch, each of them relevant to Wes Ball‘s adaptation of the James Dashner book. First, though, you should also check out Ball’s previous films, all of them shorts. I shared his Student Academy Award winner, A Work in Progress, the other day. In the past we’ve posted his bigger breakthrough, an action sequence and proof of concept for a feature version of itself titled Ruin. There is a look to the latter that clearly helped the filmmaker (who also did effects work for Mike Mills’s Beginners) get the gig directing The Maze Runner. And maybe the rest of the series? That reminds me, this week’s recommendations come with a spoiler warning for their tie-in. Don’t read about the selections’ relevance until you’ve seen the new movie or you don’t care about spoilers.



There are some performers, like Zach Galifianakis or Will Ferrell, who can pretty much just stand there alone on screen and be funny. There are other performers though, like Owen Wilson or Vince Vaughn, who do their best work opposite someone else who they can play off of to laugh out loud effect. Jason Sudeikis seems to belong to the latter category. He can get laughs, but he gets more when he shares both the screen and some chemistry with another actor. He shares the screen quite a bit in We’re the Millers, but that chemistry is a bit harder to come by on a consistent basis. David Clark (Sudeikis) is living the dream. He’s in his mid-30s with no wife, no kids, no real responsibilities and he seems to like it that way. He even has a cushy job, so to speak. He sells weed. Not a huge amount or anything, but enough to make a living and still put some back into savings. But when he gets caught up trying to help a well-meaning kid from his apartment building, he ends up getting robbed, losing all of his cash and product. Stuck and desperate he agrees to do a drug run to Mexico for his supplier who has agreed to wipe out his debt and even pay him $100,000 on top of that to bring back a small amount of weed. David decides that a family would attract less attention so he grabs the kid (Will Poulter), a […]



I write this with all due respect to director Michael Apted, his actors, the rest of his creative team and even C.S. Lewis himself. But, really, is there anyone out there who actually cares about these Narnia movies? Was there a big clamoring for this second sequel? Would anyone’s world end if the last four books remained where they’ve probably always belonged – on bookshelves? There must be a devoted audience somewhere, as The Lion, the Witch and the Wardrobe and Prince Caspian raked in some serious box office cash. Surely, The Voyage of the Dawn Treader will surpass Tangled and the infinitely superior latest Harry Potter to own the weekend, giving Fox and Walden Media sufficient cause to dial up the next one.



Foreign Objects travels the world of international cinema each week to highlight films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… the United Kingdom!

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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