Will McCormack

Editor’s note: Celeste and Jesse Forever opens in limited release this Friday, but back in June, we saw the film at LAFF and positively loved it (so much that we’d marry it). This review was originally published on June 22, 2012. You’d be correct in mistaking Celeste (Rashida Jones) and Jesse (Andy Samberg) for a happy couple. All the signs are there – inside jokes, Celeste’s shiny “C & J Forever” pendant, dinners with friends, professions of love, even a special sign language – but, alas, you’d be wrong. Celeste and Jesse are not forever, in fact, they’re getting a divorce. The opening credits of Lee Toland Krieger’s Celeste and Jesse Forever (penned by Jones and co-star Will McCormack) zip us through Celeste and Jesse’s relationship – from shy happiness in high school, to high stakes sexual chemistry in college, to blissful young marriage, to now (and now is exactly when things get messy). When we meet Celeste and Jesse, the pair are still acting as if they are romantically involved – and that’s the problem. Jesse has taken up residence in the couple’s backyard cottage (his studio), but other than that, everything else is status quo – the affection, the bond, the connection – and while the two of them seem content with the situation, it unquestionably needs to change. And fast.

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It’s often said that believing you will spend forever with the person you fall in love with in high school is a naïve notion and, while the opening montage of Celeste and Jesse Forever seems to prove that the opposite is true, once the film begins we realize that our leads, Celeste (Rashida Jones) and Jesse (Andy Samberg), are actually separated and looking to get a divorce. The strange thing is, they still spend every second together and are only “separated” by their back yard, with Jesse now living in his studio out back rather than in the main house with Celeste. It is clear from the start that Celeste and Jesse are more than just a couple, they are each other’s best friends, complete with inside jokes and hand signals clearly established over years and years of knowing one another. There is a level of comfort and familiarity between the two that neither seems ready to let go of, which frames the central conflict of both their relationship and the film. Over dinner one night, two of their friends, Tucker (Eric Christian Olsen) and his fiancé (Ari Graynor), call them out on the odd state of their relationship stating that they either need to end things for good or get back together. Neither Celeste or Jesse think their behavior is strange, but the fact that they still say, “I love you,” to each other and can’t seem start their days until acknowledging one another seems to support their friends’ […]

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