Wild Grass

afilm a symphonie threemovements deathof language The above “sentence” would probably be the most appropriate way to describe French filmmaking legend Jean-Luc Godard’s latest (and possibly his last) film, Film Socialisme. The fragmentary and strangely juxtaposed words above are not only an (unsuccessful) attempt to describe an incredibly abstruse film, but it is also an attempt to do so in the film’s selected stylistic “language”: rather than traditional full-sentence subtitles, these are the type of words we see at the bottom of the screen whenever a character or narrator speaks. I can barely recognize only a few select words in French myself, but from what I can tell the characters, while often speaking esoterically in conversations motivated without typical movie-logic contextualization, rarely actually speak in fragments, but in full sentences. So the subtitles for non-French-speaking audiences are a deliberately obscuring selection of the words actually spoken, and they often arrive late in their juxtaposition of words spoken and occasionally seem to have no direct correspondence whatsoever. This is not to suggest that the unique subtitling in the international release of Film Socialisme somehow “obscures” non-French speakers from understanding the film’s meaning. In one sense, the film is incredibly difficult to follow no matter what language(s) one knows, but in another, the film’s meaning is plainly available in this multilingual wordplay.

read more...

It’s that time of the year again: that brief span of time in between Christmas and New Year’s when journalists, critics, and cultural commentators scramble to define an arbitrary block of time even before that block is over with. To speculate on what 2010 will be remembered for is purely that: speculation. But the lists, summaries, and editorials reflecting on the events, accomplishments, failures, and occurrences of 2010 no doubt shape future debate over what January 1-December 31, 2010 will be remembered for personally, nostalgically, and historically. How we refer to the present frames how it is represented in the future, even when contradictions arise over what events should be valued from a given year. In an effort to begin that framing process, what I offer here is not a critical list of great films, but one that points out dominant cultural conversations, shared trends, and intersecting topics (both implicit and explicit) that have occurred either between the films themselves or between films and other notable aspects of American social life in 2010. As this column attempts to establish week in and week out, movies never exist in a vacuum, but instead operate in active conversation with one another. Thus, a movie’s cultural context should never be ignored. So, without further adieu, here is my overview of the Top 10 topics, trends, and events of the year that have nothing to do with the 3D debate.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 04.19.2014
A-
published: 04.19.2014
B+
published: 04.18.2014
C-
published: 04.18.2014
C

Listen to Junkfood Cinema
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
SXSW 2014
Game of Thrones reviews
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3