Whatever Works

Manhattan Movie

Friday is Manhattan‘s 35th birthday, and while Woody Allen‘s black and white love story may not have the prestige of an Annie Hall or the out and out hilariousness of a Love and Death, it does have one unique aspect — one of greatest May/December affairs in cinema. Plus we’re still three years from Annie Hall‘s 40th anniversary, and we’ve got to kill time somehow. But what is it that’s so special about the love between Allen’s balding, bespectacled Isaac Davis and Mariel Hemmingway‘s genteel young Tracy? Well, part of it is that Manhattan isn’t the story of Isaac and Tracy. It’s not really about anyone. It’s a film about a city; something made achingly clear in the title and the first three and a half minutes. We view the scenery of New York, we hear the music equivalent of New York (George Gershwin’s “Rhapsody in Blue”), and we hear a nerdy, neurotic New Yorker describe himself as having “the coiled sexual prowess of a jungle cat.” Together, those three elements (and Manhattan itself) are Woody Allen’s New York.



Rob Hunter loves movies. He also loves working for the BBC where his job entails erasing old show master tapes because they don’t have the foresight to know that people may want to watch them again someday. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs. This week… Monty Python, Orphan, Stan Helsing, and more!



This week, on a very special Reject Radio, we discuss the finer points of Bea Arthur’s genius while attempting futilely to discuss Year One and the world of remakes taking over theaters like something that really effectively takes over something. Like Genghis Khan.



The big question this weekend is whether or not either one of these two movies going out in wide release — The Proposal and Year One – has what it takes to even get past The Hangover.



The combination of Woody Allen’s return to New York City and Larry David’s presence as the lead in his new film never pays off as it should.



The U. S. rights to Woody Allen’s latest film Whatever Works have been bought by Sony Pictures Classics. The comedy is set in New York City. It’s a return to Allen’s old haunt after years of making films over seas.

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published: 01.26.2015
published: 01.26.2015
published: 01.25.2015

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