What Now? Remind Me

What Now Remind Me

What Now? Remind Me is, despite its name, an extraordinarily lucid, moving portrait of illness, artistry, and, rarest of all, time. Portuguese filmmaker Joachim Pinto lenses himself as he goes through experimental drug trials for HIV and Hepatitis-C, partially as a note-taking exercise and obliquely as a last will and testament. The drugs he takes make him forgetful and scattered, and he’s afraid they might not work, or they might poison him along the way. But before long, the elegiac quality of the film lifts to allow amused, contemplative shadings to drape themselves over Pinto’s memory, letting tenderness and humor nose their way in. The running time is over two and a half hours, though putting yourself through the entire course of treatment is more than good for you: it shows you the importance of saving your own life. The notebook of a year of rest, this movie attains the religious insights of a true Sabbath. Non-practicing Pinto gives himself over to the arms of his Christ-like husband Nuno, and illness draws out the beatitude latent in fatigue. Weakened but essentially unhurt, Pinto delivers a serene rejoinder to the unseen doctors and viruses arrayed in tandem against his life. He is alive; who is more alive than someone for whom slipping in and out of beams of light counts as a triumph? Everyone else, with their frenetic energies, their evasions and their aggrandizements, inflates their bodies with death. Pared down, Pinto is the stubborn core of vivacity. He may be […]

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