Wayne’s World

Bill Murray Zombieland

Thanks to Marvel, post-credit sequences are not just a nice surprise, but now they’re a cinematic prerequisite. They have evolved from extra perks to a completed story, to world-building links that piece seemingly disparate movies together. Even when they take a completely different approach, like Guardians of the Galaxy does, it’s in the interest of showing Marvel’s reach, rather than nodding to the magic of the film in question. Being the glue to future films is always a risky proposition. Movies like Masters of the Universe and Young Sherlock Holmes used these sequences to tease a future that would never come. And some, like Dogma, portray promises not delivered, like Alanis Morissette’s God in that movie literally closing the book on the View Askewniverse. Will we get to a future where superheroes fall and a post-credits sequence nods to a Marvel future never realized? I don’t know. But one thing is sure: There is a great world and history of post-credits sequences outside of Marvel’s spandex and space travel – one generally dominated by comedy. We covered some a few years ago, but here are some more excellent post-credits sequences to delight in.

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Sarah Polley in

A big new chunk of movies gets added to Netflix every month—which is awesome—but with the constant glut of new content, how are you supposed to know which movies are worth your time and which are just going to force you to hit stop after twenty minutes? This column will give you a place to start. I had to hit stop on a lot of bad movies in order to get this list together, so you owe me. Without further ado, here are 18 good movies to stream that were recently added to Netflix’s Watch-It-Right-This-Second service and should keep you entertained from start to finish. As always, click on the films’ titles in order to be taken to their Netflix page, where you can add them to your My List. Pick of the Month: Stories We Tell (2012) Stories We Tell is a documentary from director Sarah Polley that’s largely about Sarah Polley. Or, it’s about her origins, at least. Okay, a lot of it is about her mom, and how it came to be that Polley’s parentage became a point of contention among her older siblings. Is her dad really her dad, or might it have been this other guy? What kind of a life did her mother lead for this to even be a question? How does Polley herself feel about the ambiguity, and how would her relationship with her father change if she found out they weren’t biologically linked? This movie attacks the situation from a lot of angles, […]

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Autobahn in The Big Lebowski

You wouldn’t be able to see them in concert. You couldn’t necessarily find an old favorite of theirs on vinyl or hear their new single on the radio, or download their latest EP as a new discovery. But for the fictional bands of cinema, their music still matters in a deep, powerful way. With the announcement that one of the most famous fictional bands of all time, Jem and the Holograms, is getting the movie adaptation treatment, it’s about time to look at the other fake bands that stepped onto the silver screen before them. Their existence may not be true, but their music is.

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Shaun of the Dead

We all know what it feels like when a film touches on events yet to come. Usually it’s the best when it’s something that you could only pick up on after already watching the film once before – it’s like a little inside joke you get to have with the filmmakers, a reward for sitting through the movie more than once. At times it’s not even the fact that it foreshadows event in the films, but rather that it’s so subtle that it takes a few goes to even pick up on. Other times are less subtle, but just as fun. This is probably going to have spoilers in it. Just to be clear.

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If it were up to me, every movie would be required at least one musical number. Seriously, every movie. Children Of Men would have a song in it, Sophie’s Choice as well. Why? I don’t know – it would be funny I guess. Fine, so it’s probably not a great idea. I take it back. I just get excited when a song becomes the center of a scene – especially in comedies. People rarely have the nibs to stick a good musical sequence or two in their non-musical genre films, so let’s take a moment to pay our respects to those who did it so well by arbitrarily judging them in list form.

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The Week That Was

It’s been a very big, hyper-serious week here at Film School Rejects. Well, everything but the hyper-serious part anyway. We celebrated a big birthday by finally getting potty trained, we pulled the wheels of a big time movie director’s campaign against critics, we rapped to you, we reviewed a bunch of movies that weren’t so great, we reported on epic, Asgardian trailers and movies about Egyptian democracy and we interviewed people, shared opinions about movie universes and took you to Funky Town. Okay, all but the part about Funky Town. But you know it’s coming. Bask with me in the glory of this week’s best articles as we recount The Week That Was.

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Adapted from the Henry James classic of the same name, Wayne’s World traces a young provincial girl’s journey toward self-realization and womanhood.

Not!

(It was necessary that a “Not” “joke” be worked into this at some point, so let’s just be thankful that we’ve gotten it out of the way this early.) Wayne’s World is, of course, the film adaptation of the seminal, 90s, Saturday Night Live sketch about two slacker BFFs, Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey). The duo host a wildly popular, Aurora, Illinois-based public-access show, broadcast from Wayne’s parents’ basement. The film elaborates on this premise by giving Wayne a robo-babe love interest, Cassandra (Tia Carrere), and introducing Benjamin (Rob Lowe), a smooth-talking television executive who plans to exploit “Wayne’s World’s” popularity and drive a wedge between Wayne and Cassandra.

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FemaleDirectorList

Remember all of those movies you love to sit around watching and loving and talking about? Some of them were directed by women. You didn’t even know that. Did you, you chauvinist pig?

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Rainn Wilson in The Rocker

The Rocker starring Rainn Wilson opened in theaters Wednesday. We decided this warranted a list, but instead of just hashing out a list about 10 movies about rockers that rocked, we wanted to give you ten rockers who rocked in movies that may or may not have even been about rocking.

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Wayne

Advertising has become a huge source of income for the entertainment industry, and that trend is only going to go up.

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