Watchmen

Watchmen (2009)

Some superheroes have their origins in ways unavailable to your average person. Batman and Iron Man rely on their own personal well-funded technology. Captain American is a result of a highly complex super soldier program. Thor is a space alien god, which could also be said for Superman. And someone like Ghost Rider or Jonah Hex has his origins in the supernatural. Still, there are plenty of superhero origins that rely on pure chance, often a result of a horrible accident. That got me thinking… could an industrial accident really turn you into a movie superhero?

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x-men

One of the surprise panels at this year’s Comic-Con was for David Hayter‘s directorial debut, Wolves. The panel didn’t come out of nowhere or anything, but it was for an original property. We don’t see a whole lot of original films highlighted at the Con, so to see Hayter’s picture have a presence was a pleasant addition to the festivities. It’s a movie Hayter’s been developing for the past six years, based on a script of his own. You know Hayter’s voice as Solid Snake, but you’re probably also familiar with his screenwriting credits: X-Men, X-Men 2: United, and Watchmen. Of course the first X-Men was a one of kind movie at the time. We hadn’t seen a superhero team onscreen yet, so it was far from a sure thing. The movie ended up a success, paving the way for more comic book movies like it. However, since then, a lot has changed. What worked best about those first two X-Men movies isn’t something we see very often now: simple, streamlined action. The second X-Men ends with a bang involving Jean Grey protecting the aircraft full of her friends, not William Stryker bringing a city to its knees and the X-Men having to save it. That’s what a lot of superhero movies have turned into, and sometimes, it’s somewhat of a shame. We sat down with Hayter at Comic Con, and since Robert already posted a rundown of what to expect from Wolves, we thought it’d best to save our discussion focused on Wolves for the film’s possible 2014 release. Until then, here are David […]

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IntroSuperheroBeatdowns

The boring problem with almost every superhero is that if they existed in real life they would just win all the time. This is why we have super villains, of course, and this is why those super villains tend to get the upper hand at some point in the film. After all, what’s a good third act without some kind of obstacle to overcome? If your character can shoot fire from his or her nipples then the baddies better have some kind of ray gun that shoots ice pasties. Point is, we need a point where the hero gets their ass handed to them – something that some movies handle better than others. Here are eight of the darker moments where the hero hits rock bottom (usually in a pool of their own blood).

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Wish you could watch the Frank Darabont-scripted Indiana Jones 4? Dying to see Terry Gilliam’s Watchmen? Curious as to how a ton of great scripts got passed over before Tim Burton made his remake of Planet of the Apes? “Tales From Development Hell” author David Hughes joins us to dissect why we’re fascinated with stories of flicks that were never made, explains why At The Mountains of Madness got canned and explains how the big damned system of tentpole studio production works. Download Episode #125

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Boiling Point

AMC’s The Walking Dead and I have a strange relationship in that I watch it but don’t particularly care for it. I can’t really tell you why I tune in every week, but it has something to do with my great love for the comic books and a desire to see horror on television, mostly regardless of quality. The books by Robert Kirkman have always had a bit of melodrama about them, but the show has often taken that to obvious, soap opera levels. “The Walking Dead” comics feature a great cast of characters with complex motivations and relationships. Many of those characters made it to the television show – well, at least characters with the same names made it in. Things have changed so drastically from comic to screen that one has to ask – when does an adaptation stop being an adaptation?

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Movie News After Dark: Katy Perry

What is Movie News After Dark? It’s a nightly movie collection of links, posters, videos, and other newsworthy mediums that mostly have to do with movies. Sometimes we mix in a bit of television. Other times we’re talking about something completely different. Call us unfocused if you must, but don’t you ever call us boring. Leading with a photo of Katy Perry, not my finest moment. Rest assured, though, as there is some actual movie news associated with the buxom pop singer picture above. Paramount Pictures — the studio that brought you the box office cow Justin Bieber: Never Say Never — is planning a Katy Perry 3D movie documentary concert film thing. Squee!

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Vertigo Title Card

A good beginning credit sequence is really all it takes for me to like a movie. That seems like a really stupid thing to say – but when you think about it, while not all good movies have creative credits, almost all creative credits belong to good movies. It shows that the filmmakers actually cared enough to do something meaningful with their title sequence as opposed to just throwing out some stock effect… After all, the beginning credits are the opening number to a film – the handshake – and if it doesn’t make you excited about what you’re about to watch then there really isn’t a point is there? Here are a collection that got be friggin’ pumped right from the start.

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Let’s face it. If you need to threaten an enemy from a middle range distance, clear a ton of jungle in a hurry or carmelize the top of a crème brûlée, there’s nothing better for the job than a flamethrower. It’s a gun that throws fire. As your head wraps around that awesome concept (just as it does on a daily basis when you daydream about owning one), consider this beautiful instrument of destruction’s place in film. Sure, Bellflower comes out this week (and should energize you to convert daydreaming into action), but there’s a storied history here to uncover, and a future that’s assured to be bright enough to demand protective gear. Here are just a handful of movies that put the flamethrower on the burnt pedestal it deserves to sit upon.

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What is Movie News After Dark? It doesn’t even know anymore… Megan Fox and John C. Reilly are tonight’s lead story. The choice of lead image was bound to be a sexy one. And as you can see, I believe I’ve made the right choice. He’s almost too sexy. Anyway, he’ll be starring alongside the outcast Transformers actress in Sacha Baron Cohen’s The Dictator. No word on what role either will play in the story of a Middle Eastern dictator who ends up in the U.S., where no one cares who he is.

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Every week, Landon Palmer and Cole Abaius log on to their favorite chat client of 1996 as OhDaeSu2039 and CatsandDogsLvng2Gether in order to discuss some topical topic of interest. This week, the duo try to avoid the pitfalls of bad novel adaptations by exploring some of the best. How do you take a work by one and turn it into a work by thousands? How do you appease fans while introducing a new audience to the story? Does it always involve whale genitalia? What are the rules of making a great film adaptation of a book?

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this shit late at night, what do you expect?

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It’s that time of the year again: that brief span of time in between Christmas and New Year’s when journalists, critics, and cultural commentators scramble to define an arbitrary block of time even before that block is over with. To speculate on what 2010 will be remembered for is purely that: speculation. But the lists, summaries, and editorials reflecting on the events, accomplishments, failures, and occurrences of 2010 no doubt shape future debate over what January 1-December 31, 2010 will be remembered for personally, nostalgically, and historically. How we refer to the present frames how it is represented in the future, even when contradictions arise over what events should be valued from a given year. In an effort to begin that framing process, what I offer here is not a critical list of great films, but one that points out dominant cultural conversations, shared trends, and intersecting topics (both implicit and explicit) that have occurred either between the films themselves or between films and other notable aspects of American social life in 2010. As this column attempts to establish week in and week out, movies never exist in a vacuum, but instead operate in active conversation with one another. Thus, a movie’s cultural context should never be ignored. So, without further adieu, here is my overview of the Top 10 topics, trends, and events of the year that have nothing to do with the 3D debate.

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Jeffrey Dean Morgan

We sit down for jokes with The Comedian and tales of gun play with Clay, or as his momma calls him — Jeffrey Dean Morgan, to talk about his latest film The Losers and his upcoming roles in Red Dawn, as well as the Jonah Hex role that never was.

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fp-73613

After the usual editorials about the death of a genre, I’d like to offer some common sense.

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Martin Scorsese

Last week I wrote about the history of the auteur theory and its strengths and weaknesses when applied to actual film practice. Regardless of the theory’s apparent problems, it’s clear that the idea of the auteur still holds great weight in framing the way even the most casual of filmgoer goes about experiencing cinema.

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The bad news: average sci-fi source material that we’ve seen before. The good news: a female ass-kicker.

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Will there actually ever be a Watchmen sequel? Recent reports state there’s traction within Warner Brothers and DC to create a prequel and/or sequel to the beloved graphic novel and film. If it does happen, we’d like to make some suggestions…

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It has been a long year for Blu-ray releases, and one that has seen some great gems and some major disappointments. But in the end, we have ten honorable mentions and ten best releases, all of which should be in your collection.

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dvd-drinking-game

This week’s round of drunken shenanigans is a special one, that gives you two options for downing booze while watching new releases. Just know that if you’re drinking during Up, you won’t want the kids in the room.

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thisweekindvd-header1

Rob Hunter loves movies. He also loves working for the local “retirement home” as head geezer catcher… basically he gets a call whenever one of the elderly residents escapes wanders off in a daze from the home. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs. This week… Up, The Merry Gentleman, Spread, and more!

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published: 10.30.2014
B-
published: 10.29.2014
D+
published: 10.27.2014
C-
published: 10.24.2014
C-


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