Violet & Daisy

The Professional

It looks like the totally hypothetical Cinematic Teen Hit Girl Club is getting a brand new member. Deadline reports that The Giver star Odeya Rush has signed on to star in Hunter’s Prayer, a Jonathan Mostow-directed action-thriller about “a young girl who teams up with the assassin hired to wipe out her family to find the person responsible.” Oh, a buddy flick! Sam Worthington is already on board to play said assassin, who helps Rush’s Ella “navigate the tangled web of hitmen and thugs on her quest for justice.” And we thought you could just PayPal hitmen money.  Rush now joins a subgenre of films that center on guns, girls and (screw any attempts at alliteration) just plain illegal activities. And yet, said subgenre isn’t nearly as bankable as it once (oh so briefly) was, so why do we keep getting films about gun-toting teens with attitude? (Don’t say, “because it looks cool!”)  


discs the worlds end

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. The World’s End Twenty years ago five friends attempted an epic pub crawl, but their effort fell apart before reaching the final bar, The World’s End. Now the group is reluctantly back together again to try and rewrite history, but the past is an ever-growing obstacle thanks in large part to how much remains unchanged in their old stomping grounds of New Haven. Things get worse though when they realize why exactly that is. Edgar Wright‘s final entry in his thematic Cornetto trilogy found a divisive reception from fans of Hot Fuzz and Shaun of the Dead, but in many ways it’s the best of the three. It’s incredibly funny, highly energetic, and perfectly cast (Simon Pegg, Nick Frost, Martin Freeman, Paddy Considine, Eddie Marsan, Pierce Brosnan, and Rosamund Pike to name a few), but it stands out for two other reasons too. First, the film’s structure and execution are incredibly deep and detailed to the point that multiple viewings continue to reveal new connections. Second, and most surprisingly, it has the best fight scene of any film this year. [Blu-ray/DVD extras: Commentaries, storyboard, trivia, featurettes, deleted scenes, outtakes]



What if little girls were hired assassins? That’s not an uncommon film scenario today, but usually the answer is that they’d be well-trained, bred to be killers from early on and void of most stereotypes you associate with normal young women. Hit-Girl from Kick-Ass and the title teenager from Hanna come to mind. But Violet & Daisy takes a different approach. The girls here are really “girly.” They take on hit jobs in order to buy pretty dresses. They blow bubble gum bubbles while shooting up mob hideouts. They talk all cutesy and have flowery code names and play patty-cake with their boss (Danny Trejo) and ride a tricycle and love milk and cookies and say “ewwwwww” in response to things they find gross as if they’re referring to cooties.



With the Toronto International Film Festival mere weeks away, cinephiles everywhere are prepping to ship off to America’s hat for ten days of films and fun, all fueled by bagged milk and and trademark Canadian politeness. TIFF has already established itself as North America’s premiere film festival (duking it out with Sundance for top billing), but this year, the festival’s programmers have truly outdone themselves when it comes to putting together a drool-worthy schedule. This year’s TIFF has already announced the bulk of their lineup, including The Ides of March and Moneyball and their documentary and genre picks, but they now round out their programming with some final and spectacular picks.

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published: 01.28.2015
published: 01.28.2015
published: 01.28.2015
published: 01.27.2015

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