Village of the Damned

We Need to Talk About Kevin

With adults, you have to put in a lot of effort to make them creepy – layering on makeup and blood and involving them in increasingly horrific acts to impact increasingly apathetic audiences. With children, however, you often need little more than a cherubic face juxtaposed with an evil act to make an impact. Mixing evil into childhood innocence is often the perfect horror concoction for movies, whether it’s a horror movie teasing at the fear of the unknown or a drama exploring the world of a truly terrible child. Of course, sometimes it’s nothing more than the result of really bad parenting. In the premiere of The Affair, Dominic West’s son fakes a suicide to get a rise out of his dad. But when West’s Noah quickly gets over his anger and shrugs off the stunt, it’s perfectly obvious why his kid is acting out – dad is an ineffectual parent. But sometimes it’s about much more than slightly atypical adolescent rebellion. Nothing compares to the chills that a child can evoke, whether they’re the perpetrators of evil or the seemingly innocent guardians of it with their redrum warnings. Many of our most chilling cinematic moments come at the hands of children, whether it’s little Gage bringing Mommy knives in Pet Semetary, twins wanting to play in The Shining, or some of the most truly terrifying images, like Linda Blair’s young Regan in The Exorcist – a film whose frights transcend the tarnish of age. Here are some of […]



It’s pretty clear that Edgar Wright and his sometime co-writer/star Simon Pegg are movie junkies. Their series Spaced was all about allusions to their TV and film favorites, while the first two installments of the “Cornetto trilogy,” Shaun of the Dead and Hot Fuzz, were tributes to zombie and action flicks, respectively. With The World’s End, the homage and referencing continues. Even though the message of the movie is to move forward not backward, and even though it’s apparently a veiled criticism of Hollywood’s own nostalgic impulses, it’s okay for a movie this clever to have its influences and predecessors as long as the acknowledgment is through nods to the past works rather than a recycling or cloning of them. One key difference between what Wright does and what the remake/reboot machine does is he provides a gateway to older movies and the machine creates a substitution, a replacement. As a true movie lover, Wright is known for hosting programs of beloved classics and cult classics, usually in hopes of introducing his fans to stuff they’ve never seen. He also likes to name other films that have informed his work and are worth checking out either prior to or after seeing his movies. The following list is not all selections that he has credited nor that he would necessarily endorse. It’s a combination of some of his picks (found mentioned elsewhere) and some of my own, some obvious and some not, some great and some just worth a look for […]



When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one excellent horror film a day for the entirety of the month. That’s 31 Days of Horror and 31 Films perfect for viewing on a dark, chilly, October night. If you, like us, love horror and Halloween, give us a Hell Yeah and keep coming every day this month for a new dose of adrenaline. Synopsis: Based on John Wyndham’s book The Midwich Cuckoos, this film tells the story of a small village in England in which everyone in town mysteriously blacks out. When they wake up, all the women of childbearing years discover they are pregnant. When the children are born, they are immediately seen as different. Each one has blonde hair and disturbing eyes. The kids grow at an accelerated rate, and they seem to have a psychic bond with each other. As the children get older, a professor in town becomes their sole teacher, and the town is acutely aware of their emotionless nature. Soon, they start to develop strange powers, including the ability to control the actions of others and bore into other people’s minds. After a series of deaths, the people in the village try to find a way to get rid of the children.


Creepy Kid from The Grudge

There is nothing creepier than small children. Except clowns. Oh, crap, what if someone makes a horror film featuring child-clowns? We’d be screwed, but until that frightful day, these are the Ten Creepiest Children in Film.

Twitter button
Facebook button
Google+ button
RSS feed

published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3