V For Vendetta

The 6th Day

As you already know, 2015 is the year that Doc and Marty traveled to in Back to the Future Part II. You know this because it’s a great movie, you love rehydrated pizza, and because the internet will not let you forget it. The constant renewal, not just of the movie, but of the technology from its version of the future is understandable. Retro-futurism is fun, and it plays to a harmless brand of narcissism. It’s us they’re talking about. We get to marvel at how wrong they were, how goofy their predictions. As a comedy, BTTFII fits that bill completely. Robert Zemeckis and Bob Gale weren’t doing serious prognostication — they were trying to make an audience in 1989 laugh, which is why most of their vision for 2015 is of 1989 on growth hormones. The color-burst clothing, the 19th incarnation of Jaws, Marty getting fired by, not one, but by every fax machine in the house. There’s a sense of familiarity there in the far-flung future (fax machines! What is this, Japan?!). It’s a type of future meant to comment on the present — in this case, the 1980s — so you get cosmetic changes like power laces, big ideas applied to commercial uses like the hoverboard, and the rare element like wearable tech that hits the mark. Still, the ultimate gag here is that BTTFII‘s 2015 looks like a Looney Tunes cartoon. Not every past vision for 2015 is the same. There aren’t a lot of movies set in […]



As the Oldboy remake approaches, the subject of revenge is no doubt teeming in everyone’s heads – at least in terms of punishing the people who decided to remake Oldboy. While there are so many lists out there about the most “brutal” or the most “satisfying” revenge films, perhaps it might be fun to explore the strangest, if not most laughable ways people enacted their justice.



So you’ve been shot/stabbed/eaten/burned/dismembered/amputated/face melted by an ancient artifact, what are you going to do next? If you answered, “go into shock while screaming like an asshole” then you’re probably on track. In the movies, of course, that’s a different story – people like to do cool stuff while dying in movies, act all badass for our amusement. Let’s look at 20 such fallen heroes. Spoilers should go without saying. But we said it. Right there. So no one can complain.


Fezzik Has a Posse

If I had to pick two things that I just can’t get enough of in films, it would have to be a good underdog story and gratuitous physical violence. It is only natural then that I would build a humble list of some of my favorite moments in cinema where the two are combined. When I think about what makes a fight particularly one-sided, it actually has less to do with the amount of people that the hero is up against and more about the hero’s strengths, or rather lack thereof. But then there’s always going to be an ‘awesome’ factor to think about, because when it is all said and done the hero usually triumphs against the odds – so the means in which they do such a thing is very important to me; being badass certainly has its merits, but in most cases, being creative is far more impressive.


occupy hollywood

One of the great misconceptions about Hollywood is that it is a liberal institution. Several false assumptions inform this misconception: thinking of “Hollywood” as a monolithic entity in any way besides its shared corporate infrastructure, confusing public endorsements of celebrity politicians by celebrity movie stars as political activism, thinking that left-leaning consumers of movies see Hollywood as representing their political beliefs in any way, selectively reading a limited number of texts (e.g., Green Zone “proves” Hollywood’s liberalism, but every superhero movie ever isn’t proof of its conservatism), and, most importantly, thinking that the most public figures associated with Hollywood (i.e., stars and filmmakers) are Hollywood. This last point I think is one that has continued to be the least considered when such straw man critiques are drawn, because Hollywood here is equated only with its most visible figures who overshadow its intricate but also not-so-shrouded political economy. It’s no mistake that despite the fluctuating numbers of major and minor Hollywood studios in the past 100 years, the most powerful studios, like the biggest banks in the nation, have been referred to as “The Big Five.” And indeed, to the surprise of no one, both Big Fives have had and are continuing a lucrative relationship with one another. Hollywood’s agenda, of course, has always been profit, and the representatives of this ideology are not George Clooney and Matt Damon, but Michael Lynton and Amy Pascal (Chairman/CEO & Co-Chairman, Sony/Columbia), Stephen Blairson (CEO, 20th Century Fox), Brad Grey (Chairman/CEO, Paramount), Ronald Meyer […]



Since Ninja Assassin comes out on Wednesday to slice your turkey for you, I thought you might want to re-read my interview with its director. Sadly for you, it’s on video.



In a Dystopian future, oil reserves are all but gone, and everyone is animated in such a way that their eyes are way, way too big for their heads.


Are you the type of person who loves to share movie quotes and one-liners with friends. Who doesn’t love the funny or iconic dialog from their favorite films. Well I found something sure to brighten up your day.

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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