Ursula Strauss

Cannes often courts controversy, and with potentially volatile films centered on a Child Protection Unit, and one on the Pope already screened, this year looks to be no different. Add to this the inclusion of Michael, a film that explores the relationship between a pedophile and his ten-year-old victim. Man alive that’s a change of direction from this morning’s show-case of Pirates of the Caribbean! That very brief synopsis may sound pretty despicable, and I have to admit I wrestled with why I would want to go and see it, but at the end of the day, I idolize good filmmaking, and who am I to judge how a director chooses to express his skill? The most difficult aspect is that it is impossible to resist comparisons with the harrowing real-life story of Austrian Natasha Kampusch, though thankfully director Markus Schleinzer (famously Michael Haneke’s casting director of choice) has chosen a far more tactful approach than presenting an obscene and intentionally controversial style.

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