Tugg

Sinister

I get it. You’ve just emerged from your half-hour long Metro ride only to be bothered by those Jews for Jesus pamphleteers and the Hooverville set up at Farragut North, so you just want to sit down at your desk with a bagel and get to work. No sweat. I can respect that. But it’s not like you’re going to fix the economy today or anything so why not surf around on our site, check out some short films or something, and go buy a ticket for our Tugg screening of Sinister – the new horror film from Scott Derrickson starring Ethan Hawke? We still need a few more confirmed seats before it’s a definite, and you can be the one to make it happen. If enough tickets are sold, it’ll take place Tuesday evening at the Regal Gallery Place Stadium 4 – which means you can snag a nice Legal Sea Foods dinner before and go bowling after. Plus, if you buy two tickets, when your date asks what the occasion is, you can suavely say. “Because it’s Tuesday.” Everyone loves that. Need more convincing? Check out the trailer:

read more...

Austin Cinematic Limits

  I was going to yell at most of you (yes, even you!) for not buying an advance ticket to Cinema East‘s Tugg screening of I Am Not a Hipster. Why? Because I really want to see that film, but not enough pre-sale tickets were sold so it was cancelled. But as I thought about it some more, I realized that my yelling would have probably come off as being condescending or patronizing. Besides, it is not my job to lecture the Austinites reading this column about their lack of support of independent film, now is it? It does sound like Cinema East is going to give us another chance to see I Am Not a Hipster in the near future, so stayed tuned…and please don’t let me down ever again. While on the subject of cancelled screenings… You know those high winds that came in with the “cold front” on Saturday? Well, those very same winds that brought our daytime temperatures down into the 80s (!!!) destroyed the screen at the Blue Starlite! For those of you who were disappointingly turned away from the sold out Saturday night screening of Grease, there will be a “wind check” (you know, like a rain check but without the rain) date on September 28 but you do need to send an email to them to confirm your slot. If you cannot make it that screening, you can use your “wind check” anytime before the end of the year; you just need email the Blue Starlite […]

read more...

Austin Cinematic Limits

I received ton of emails after my “What Works for Austin Filmmakers?” post last week, which provided me with motivation to continue on with part two this week. One thing is obvious, this is a very touchy and emotional subject. Several filmmakers contacted me with their personal insights, all of which will appear one way or another in this or subsequent posts. Some emails were critical of certain members of the local film community, but I will not mention anyone’s names. My goal is to do whatever I can to help foster a more supportive and successful film community, so I am not here to get in the middle of any personal grievances. I do think there is a certain level of validity in many of the claims, but I will keep the criticisms as general as possible. So, I ended my last post with my thoughts on micro-budget genre films and promised to discuss comedies next. Comedies have long been a part of micro-budget filmmaking (especially student films), but most of the time these comedies lack a strong script and passable production quality. Austin is extremely lucky in that it has a very talented go-to pool of comedic actors (I’m looking at you, Chris Doubek, John Merriman, Kerri Lendo, Ashley Spillers, Heather Kafka, Kelli Bland, Paul Gordon and everyone else whom I am forgetting at this particular juncture), but its the films with impressive writing and production values that have historically achieved a higher level of success. This is how […]

read more...

Movie theaters downloading their films from a secure studio-run cloud; inexpensive high-quality cameras at the fingertips of creators; fans as front-end financiers. It may represent 5 short years, but technology and culture are shifting so quickly that the movie world of 2017 has the potential to look radically different than our own. How will studios respond to an influx of independent films? Will a rejection of owning physical discs lead to a ballooning rental business? Will actors and creator be able to earn millions without stepping foot on a studio lot? We’ve asked Tugg CEO and Terrance Malick production partner Nicolas Gonda as well as savvy, forward thinking indie producer Keith Calder (The Wackness, The Greatest Movie Ever Sold, Thunder Soul) to mentally step into a time machine and report back on what that world might look like. From production to exhibition and everything in between. The only sure thing is that cars will be driving us to the theater themselves. And that Men in Black V is probably going to kick ass. Download Episode #145

read more...

Austin Cinematic Limits

Austin will be representin’ at the Annual News and Documentary Emmy Awards. As if winning the Truer Than Fiction Award at the 2012 Independent Spirit Awards weren’t enough, Austin filmmaker Heather Courtney’s Where Soldiers Come From (which was broadcast on PBS’s POV series) just received an Emmy nomination in the “Outstanding Continuing Coverage of a News Story – Long Form” category. The awards ceremony will take place Monday, October 1 at the Lincoln Center in New York City. If you have not seen Where Soldiers Come From, it will be rebroadcast in September. And, don’t worry, I will remind you again. Former Austinite Kyle Henry‘s Fourplay (which boasts an Austin-centric cast and crew including producer Jason Wehling, cinematographer PJ Raval and actor Paul Soileau) premiered at San Franciso’s Frameline36 in June and it just screened last night in Los Angeles at Outfest 2012. I can only assume that Fourplay will be screening at many more LGBT festivals in the coming year and the Austin premiere will probably take place at aGLIFF 2012 (October 3-7, 2012) but that’s merely an assumption. Austin filmmaker and graphic designer, Yen Tan (Ciao) wrapped principal photography on his newest feature Pit Stop last week. Pit Stop tells the parallel stories of two gay men living in a small Texas town. These two men are “country queers” who have opted to live someplace where their lifestyle is not tolerated. Being gay is part of their identity, but they are not “out”; instead, they find ways to blend […]

read more...

Nacho Vigalondo Extraterrestrial

Let’s face it. When the alien invasion comes (and it will), most of us are going to be useless to help fight them back. We’re either going to be hiding or running for our lives into government-run bunkers. Nacho Vigalondo gets this, which is part of the reason why he chose not to focus on the heroes for his latest film, Extraterrestrial. His follow-up to TimeCrimes is a sci-fi flick married to a conversational screwball romantic comedy. He was gracious enough to give us a glimpse of his madcap mind – explaining his love for guilty characters, celebrating Invasion of the Body Snatchers and explaining the connection between his latest movie and the TV show Moonlighting. Extraterrestrial is out Friday, June 15 in select theaters, and you can demand it through Tugg.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+
published: 12.15.2014
B


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3