True Romance

Moscow on the Hudson

The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya?

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Tony Scott‘s True Romance is probably one of my top ten all-time favorite movies, which is kind of weird since Badlands is one of my top five all-time favorite films. Or maybe it’s appropriate that this is the case. I’m sure that one of the reasons I fell in love with this movie is because of how directly it’s inspired by and references the earlier Terrence Malick film. Notice I make the distinction between movies and films. Scott made movies, Malick makes films. Scott also made a movie I like that directly references another of my all-time favorite films (Enemy of the State –> The Conversation). I was sad when Scott died particularly because I was hoping he’d eventually cover all my top shelf titles (just imagine what he could have done with Duck Soup!). Then again, maybe he’d have just redone himself, the way he did with Domino, which is like a bad remake of True Romance. Anyway, True Romance turns 20 years old this week. Warner Bros. released the movie on September 10, 1993, and it came in at #3 for its opening weekend, behind reigning champ The Fugitive and fellow newcomer Undercover Blues (uh?). In honor of the anniversary, let’s take a look at some scenes we love. It was hard to narrow down, of course, so we went with major character moments.

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The moviegoing world was saddened earlier this week when it was learned director Tony Scott had died. Despite the manner of his death, it’s no less sad when a filmmaker such as Scott, who continued making films well into his 60, had many more films to helm. We felt it was time to hear some filmmaking insight from the man himself, which leads us to True Romance. The movie itself is a modern classic, an energetic tale of love, drugs, and a whole bunch of bullets courtesy of fledgling – at the time – screenwriter Quentin Tarantino. He also provides a commentary for the film, a rarity for the Pulp Fiction writer/director, but we’ll cover that another time. This is Tony Scott’s time, and here, without further ado, are all the things we learned listening to him speak about his film, True Romance.

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Artistic license, originality, worthwhile dialogue and the meaning of life are all discussed as Film School Rejects Conrad Rothbaum and Robert Fure go head-to-head in the first entry in the new FSR feature, “Shouting Match.”

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Inglorious Basterds

Quentin Tarantino has kept his fans waiting for his remake of the World War II “Dirtier Dozen” movie, leading some to call him an inglorious bastard himself. Well, the script’s finally out and we’ve learned a lot, including that Brad Pitt may want in, as well as the fact that Tarantino likes to spell ‘bastard’ the wrong way.

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