Tron: Legacy

IntroBarFights

The World’s End was a great film, and amongst its many covered genres, it made a pretty big mark in the ranks of epic bar brawl movies. To celebrate, why don’t we explore some of the other great drunken tussles of the sci-fi and fantasy genres? Excellent. Glad you’re on board. Because no matter what sorcery or technology you have at your fingertips, there’s always time to get soused and hit someone.

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Garrett Hedlund

What is Casting Couch? It’s the casting news roundup that was compiled today with the help of Daft Punk musical accompaniment. You may not remember much about TRON: Legacy’s story, because other than its glowing lights and its pumping soundtrack, that 2010 sequel to Disney’s cult classic TRON was pretty dull. So, let’s refresh your memory. The movie starred Garrett Hedlund as the son of Jeff Bridges’ character from the first film. He went into the computer world, found his dad, and then there was a big battle. Remember all this? Good, because Next Movie just confirmed that Hedlund will be back for whatever TRON 3 ends up being called. Disney apparently started getting a script together for a third film just last week. This, of course, means that we’ll all now be keeping our eyes open for the real news regarding this new sequel: whether or not Daft Punk is coming back to do another soundtrack.

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Years ago, commercial director Joseph Kosinski was one of the hottest up-and-comers, with a bright, bright future. Then we actually saw that his feature debut, Tron: Legacy, didn’t play as much more than a technically impressive showcase for the filmmaker. He took $150 million and had Jeff Bridges saying stuff like, “Bio-digital jazz, man.” Money not put to good use, I say. Kosinski was then written off as a director with nothing more than a nice eye, no true knack for storytelling. But after seeing the first full-length trailer for his new sci-fi epic, Oblivion, I think maybe some of us spoke too soon. This original science-fiction pic, starring Tom Cruise roaming a desolated Earth, seems like a fairly routine hero’s journey, albeit told on a far more ambitious canvas than what we saw on display in Tron: Legacy. This trailer does a fine job of setting up film’s the world and Cruise’s character, Jack Harper (not to be confused with Jack Reacher). Take a first-look at Oblivion for yourself after the break (or on Apple.com).

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When director Joseph Kosinski revived Disney’s sci-fi classic TRON with the belated but visually dazzling 2010 sequel TRON: Legacy, the results were a mixed bag to say the least. One thing that pretty much everyone could agree upon when it came to that film, however, is that the score by French electronic group Daft Punk was the best thing it had going for it. Eschewing a traditional film score in favor of the pulsing, electronic sounds of Daft Punk worked wonders when it came to bringing the world of TRON to life and really making it hum, and it’s not hard to imagine that the film could have been far less effective without such a perfect marriage of image and sound. TRON: Legacy isn’t the only film that’s gone the nontraditional route when it comes to finding its music in recent years, either. From Radiohead’s Jonny Greenwood scoring Paul Thomas Anderson movies, to Nine Inch Nails’ Trent Reznor scoring David Fincher films, to The Chemical Brothers providing the music for Joe Wright’s Hanna, bringing a mainstream musician in to score your film instead of hiring one of the well-established film score composers seems to have become a full-scale trend, and a trend that has so far provided us with some amazing music. Since it worked for him once, Kosinski is looking to go back to that well for his next sci-fi adventure, Oblivion. The Playlist reports that in order to find the musical accompaniment for this Tom Cruise-starring tale of […]

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Tron: Legacy director Joseph Kosinski’s upcoming sci-fi project Oblivion has grown in hype quite a bit since it was first announced. Mostly that’s due to the fact that Tom Cruise signed on to be its headliner, and whenever that happens a movie suddenly goes from being a project of the director to being a “Tom Cruise movie” in the hearts and minds of the public. But, spotlight-hogging by Cruise aside, Oblivion is a movie that’s been quietly developing into quite the little ensemble piece over the past few weeks. The film is about a man on a post-apocalyptic world who discovers a crash-landed space ship containing a mysterious woman. Cruise is playing the lead, of course, but Olga Kurlyenko has already signed on to play his wife back home, Andrea Riseborough has signed on to play the crash-landed woman, and according to Deadline Nashoba, not only has Morgan Freeman signed on for a critical role, but Game of Thrones’ Jamie Lannister, Nicolaj Coster-Waldau, has also agreed to come on playing the role of Sykes, who is said to be a badass weapons expert. After seeing what he has to offer playing a smug warrior in Game of Thrones, this is a role that I’m confident Coster-Waldau can pull off.

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Bane in The Dark Knight Rises

What is Movie News After Dark? It has been happening (just about) every weeknight since the beginning of the year. One would hope that you have an idea about what it is by now. For those who still haven’t caught on, it’s about movie news… and it happens after dark. We begin tonight with the story of the wee hours of yesterday, in which Empire’s latest issue began shipping with two covers from The Dark Knight Rises, including the limited edition Bane cover seen above. Some of the folks around the web with camera have sent pictures in to Coming Soon, but more importantly, they’ve included details from the set visit piece within Empire. Especially notable is the part about The Dark Knight Rises being set 8 years in the future.

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Culture Warrior

Movies have a strange relationship with history, that’s for certain. On the one hand, they have the ability to bring to life, in spectacular detail, the intricate recreation of historical events. On the other hand, films can have a misleading and even potentially dangerous relationship with history, and can change the past for the benefit of storytelling or for political ends. And there’s always the option of using films to challenge traditional notions of history. Finally, many movies play with history through the benefit of cinema’s artifice. Arguably, it’s this last function that you see history function most often in relationship to mainstream Hollywood cinema. In playing with history, Hollywood rarely possesses a calculated political motive or a desire to recreate period detail. In seeking solely to entertain, Hollywood portrays the historical, but rarely history itself. Tom Shone of Slate has written an insightful piece about a unique presence of that historical mode all over the movies seeking to be this summer’s blockbusters. Citing X-Men: First Class, Super 8, Captain America: The First Avenger, and Cowboys & Aliens as examples, Shone argues that this is an unusual movie summer in terms of the prominence of movies set in the past. However, while such a dense cropping of past-set films is unusual for this season, these movies don’t seem to be all that concerned with “the past” at all – at least, not in the way that we think.

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What is Movie News After Dark? It’s a nightly movie news round-up that, for the time being, is keeping things brief. Memorial Day weekend is one that Hollywood generally takes off, so news is light. That said, there was plenty of discussion and artful expression happening all weekend that didn’t require us to sift through the virtual pages of The Hollywood Reporter. Read: there’s some cool stuff in tonight’s edition. The Times has a report that, for some of you, can’t come soon enough. 3D is fizzling and Hollywood is scared. The report focuses on the lopsided box office of Pirates of the Caribbean: On Stranger Tides, which took in far more dollars in 2D despite a major push in the other direction from Disney. Even Kung Fu Panda 2, an animated 3D family adventure, opened soft in the additional dimension. Perhaps this will prompt some changes to be made. It probably won’t, but a guy can dream.

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Studio logos are an iconography all their own, but nothing puts a grin on my face like a spiffy send-up of a traditional company emblem tailored made to gel with the film I’m about to watch. Don’t get me wrong — nothing’s going to top classics like Alfred Newman’s Fox fanfare, Jerry Goldsmith’s Universal tune or the countless other openings ingrained in our cinematic memories. But when someone takes the recognizable logo and makes it their own…well, that’s when I get giddy. For decades, movie studios have been allowing filmmakers to tinker slightly with the prestigious logos that preface every film they release. Nothing too crazy — maybe a color shift or a throwback to a retired bumper — but nothing that would tarnish their reputations. These days, most movies are free to run wild. Many stick to the time-honored traditions of their studios, but the ones that don’t feel that much more special. Regardless of a film’s quality, a great logo is like the cherry on top for most movie buffs. Here are fourteen modern variants that bring a little extra magic to the pictures they kick off:

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Every week, Landon Palmer and Cole Abaius log on to their favorite chat client of 1996 as ghostfacekillah and olddirrtybastard5 in order to discuss some topical topic of interest. This week, it’s the horrifying growth of the trend in Hollywood to take old movies and make sequels for them. The fans are too hip to reboots and remakes, but if they can convince an aging actor to retread barren ground, then it’s all aboard the money train. Of course, that’s not always the case, but how else do you explain Indiana Jones 4? The problem is that these movies either suck or are hollow shells of what a franchise once was. So if you’re making a decades-later sequel, what are the problems and how do you avoid them?

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Drinking Games

Greetings, Programs! There was a time when Tron was as cool as it could get. Then, in a world of liquid metal and computer-generated dinosaurs, it suddenly wasn’t… and it disappeared off the grid. But like anything buried for years in the sand, it has become cool again. Some may argue that the original 1982 classic is cooler than the long-awaited sequel Tron Legacy. Now that both are available – and on stunning Blu-ray, no less – you can be the final judge. This game works for either flick, so you might just end up like the geriatric Kevin Flynn by the end, but you’ll have fun going for the ride and knocking on the sky.

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This Week in DVD

Welcome to the first week of April! Now that all of the internet jokes, gags, and pranks are out of the way it’s time to settle in with another week of movies and TV shows on DVD to keep you entertained at home. Like every other week of the year this one features a fairly interesting array of titles that run the gamut from the good to the bad, but we also get two offbeat comedies that I think are worth a purchase for fans of oddball romances and charmingly humorous characters. Oh. And two shitty Tron movies hit shelves this week too. Year Of the Carnivore A young woman named Samantha Smalls (Cristin Milioti) has a terrible sexual experience with her guitarist crush, and he suggests she cut loose, have fun, and gain some more experience in bed. And so she does… and along the way she learns everything you’d expect her to in an oddball, indie comedy from Canada. Milioti is adorable, endearing, and truth be told pretty damn sexy as the shy tomboy who giggles whenever guys touch her, and the movie features more than a few laugh out loud scenes of highly inappropriate self discovery.

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This Week in Blu-ray

This Week in Blu-ray, it’s off to the late 70s, early 80s, mid 90s and the future as seen through the mind of a computer. I won’t even dare mention the trip back to the home of The Fockers, as it’s but a slight detour on our road to an excellent week of Blu-ray releases. So get ready for the old, the new and all of the best in-betweens, because it’s time to go shopping. TRON: Special Edition It’s time to go back to where it all began. That’s what Disney did with this wonderful release, they went back to a time when TRON was new and incredible and captured it. We often see releases touting a “restored” or “enhanced” version of a pre-DVD era film, but rarely to we see a release with such a noticeable restoration. There is a vibrancy and pulsing energy to the world of TRON on Blu-ray that was never included on any DVD release. The journey of Kevin Flynn (Jeff Bridges) inside the computer has never been so life-like, nor has it ever looked so now. As the cherry, the TRON Blu-ray is lined with special features — several hours worth, to say the least. The best of them is “The TRON Phenomenon,” a look at the pop culture impact of Steven Lisberger’s technoventure. If you found yourself wondering why folks were so emotionally invested in TRON: Legacy‘s release, this featurette helps give you the why. The Blu-ray itself is a big slice of […]

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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At the end of the 90s, famous Oscar show writer and Celebrity Fit Club contestant Bruce Vilanch claimed that, “Generally with the Oscars…there isn’t much you can do until the nominations are announced. Then you know what kind of year you’re dealing with – what’s been overlooked, what the issues are.” He was talking about preparing to write the show, but it applies to everyone from the directors, producers and stars on down to the fans. It’s fun to guess around the water cooler (your office still has a water cooler?), but until now, it’s all been speculation. Thankfully, almost all that speculation has been spot on, so we can all continue our conversations about whether Black Swan will beat The Social Network for Best Picture. Whether Natalie Portman has any true competition for Best Actress. Whether, most importantly of all, Colleen Atwood will beat Mary Zophres for Best Costume Design. Here they are. The 2011 Academy Award nominees:

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Last week, a Tron fan site claimed that there was going to be a teaser trailer for Tron 3 (or Tr3n if you’re nasty) on the Blu-ray of Tron Legacy when it comes out later this year. That seemed surprising (and a little bit like fanboy wishful thinking), but now an even bigger Tron fan site (Aint It Cool News) has released details about the teaser. According to them, the Tron 3 teaser trailer includes a scene with Alan (Bruce Boxleitner) and Ram (a briefly seen real world counterpart to the program inside The Grid from the original movie, played by Dan Shor). It also includes a scene with Quorra (Olivia Wilde) being mobbed by press outside of Encom for 1) being attractive 2) theoretically dating Sam Flynn and 3) claiming she just spoke with Kevin Flynn (maybe even the human version) the day before. The third segment is the villainous fruition of a single-line cameo from Cillian Murphy in Legacy which sees his character Edward Dillinger speaking with father Ed about how their plans are going according to, erm, plan. Why does this signal a good start for the movie? Because all of these moments, as brief as they are, focus on character and plot. A forged connection from the past, a press anxious to find out information about a woman that wasn’t born in the real world, and two business-savvy men plotting their own self-interest. The teaser could have been more light-based transportation, and while that would have […]

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The Reject Report

Yeah. Now get that song out of your head. Good luck with that. When you’re done, head on out to see a movie. There isn’t much new to partake in this weekend, but, if you’re a big fan of Natalie Portman, Bruce Willis’ son, or Olivia Thirlby (we can just assume on that last one), then you might want to check out the lone candidate for new releases. You enjoy the rest of the report. I’m gonna continue to sing Pinocchio songs to myself.

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this shit late at night, what do you expect?

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The Reject Report

I know. I know. The Green Reject Report? That’s the best you can come up with? It’s not like it’s a title we might not use every again. When Green Zone hit last year, it opened against a few other notable titles that took the headline (This Week’s Reject Report Is Out Of My League). With Green Lantern hitting this coming June, another opportunity to use this week’s title might present itself. But we don’t think about the future. We cross those bridges when we come to them. So, while we’re eating our red meat and smoking our cigarettes, we’ll just do with The Green Reject Report for this week. Onto the movies.

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published: 12.23.2014
B+
published: 12.22.2014
C-
published: 12.19.2014
A-


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