Indie film and Hollywood are still two very separate worlds. One puts out smaller films where the filmmaker’s artistic vision is key; the other is filming three Avatar sequels back-to-back-to-back in an attempt to give James Cameron complete control of the Earth’s economy. Yet a strange overlap exists between these two extremes, and it’s one that’s been growing in recent times. Where does one categorize 12 Years a Slave? Its cast is a staggering list of star actors and its budget was in the eight digit range, yet it released under Fox Searchlight (Fox’s go-to distributor for indie films) and had one of those newfangled limited releases that don’t go to movies trying to bring in copious amounts of dough. Those who inhabit this odd gray area- your Steve McQueens, Terrence Malicks and Alexander Paynes- often become minor celebrities in their own right (many times have we seen the groupies desperate for Malick to pen his autograph on their body and/or children). Yet there’s another director with the same laurels, who makes top-quality films with that weird “best of both worlds” mixture, that lacks the same star power: John Hillcoat.