Tony Todd


Speaking as someone who has been on this earth since the early 1970s, I can attest to the fact that some movies often behave like wine. They may be novel when they first come out, but after a few years they become bland. However, if you let them age long enough, they become good again, often times embodying a nostalgia factor that makes their imperfections seem endearing. This process takes about 20 years for the effects to be initially felt, which is why nostalgia often runs in 20 year cycles, which coincide with a person in his or her 20s looking back fondly at what they watched as a child, and major movie studios remaking beloved titles old enough to drink. Because of this, the films of the 90s are starting to look more and more vintage. Yeah, there’s that bump in the middle of the decade with really bad CGI that will always hamper films like Spawn and Species, but the movies from the earlier part of that decade seemed to have escaped that. Such is the case with the 1992 horror film Candyman. Candyman took on the subject of urban legends when they were gaining popularity, and it started its own legends about the now iconic monster. Case in point, I saw it as a college preview back in 1992, and I knew plenty of people who immediately went home and said the name five times in the mirror. (My sister, who was often affected like this from […]


the man from earth

I’d never heard of The Man From Earth before the Kickstarter campaign for its sequel came across my desk. At first, I thought I was reading about a follow-up to Nicolas Roeg’s sci-fi classic starring David Bowie. What surprised me more was that none of my FSR colleagues knew what it was, either. Yet this 2007 movie has a 7.9 rating on IMDb with nearly 82k votes. And not even enough reviews on Rotten Tomatoes to result in a score. The reason is that a lot of its fans discovered it through torrents, a fact that director Richard Schenkman and producer Eric D. Wilkinson admit they’re okay with considering the awareness and eventual success it brought to the film. Wondering if the sequel, The Man From Earth II: Millennium, would be worth promoting in this column, I watched the original this week. It’s streaming on Netflix if you’re interested. Scripted by the late Jerome Bixby, who wrote favorite episodes of The Twilight Zone and Star Trek as well as the basis for Fantastic Voyage, The Man From Earth is thinking man’s science fiction about a professor who confesses to his friends from the university that he’s been alive since prehistoric times. The acting (from an ensemble including Tony Todd and Richard Riehle) and directing is a little cheesy and given the single setting and all-talk narrative it seems better suited to be a short story or a play (it actually has now been adapted to the stage) rather than a movie — […]



This week, Fat Guy Kevin Carr makes big plans to publish a best-selling book that women across the nation will read in hoity-toity book clubs. Step one: Move to the deep south and get raised by an African American maid. While Kevin tries to figure out how to move past that step, he gets a job delivering pizzas and lives in constant fear he’ll be used in a bank heist. Then he cheats death by avoiding the Glee concert movie, but lives in even more constant fear that the flick will hunt him down and make him watch it.



The beauty of the Final Destination franchise is that it’s the same plot over and over again. This isn’t something to be ashamed of – Jason and Freddy all operate within the same plot time and time again. In fact, it’s great that the movies wholeheartedly embrace the repetition. Now if they would only embrace some decent acting. The new teaser for the first installment of Final Destination after we were promised no more installments of Final Destination features some killer eye surgery, a wicked bridge collapse, and the least relaxing acupuncture possible (which still makes it more relaxing than eye surgery). Check it out for yourself:



Final Destination 5, which might be annoyingly titled 5nal Destination (and, no, it didn’t make sense when Se7en did it either), hasn’t even seen theaters, but the future looks bright for a sixth and seventh installment of the franchise. Even though the last movie – The Final Destination – was a massive chore to watch, it still made a disgusting amount of money. Now, according to an interview with Tony Todd (over at Dread Central), if the fifth opens at the number one spot, the production will shoot the next two back to back. Fortunately, we all already know the synopsis for the next three movies: “When a young (man or woman) sees the future and saves his (class/friends/colleagues/internet meet-up group) from dying in an horrific (accident of some sort on a large scale), they think they’ve dodged a bullet. Sadly for them, Death still wants their bodies in the ground and stalks them one by one until they all die in creative ways. Gird your loins. It’s probably going to happen.



The horror film reunion continues and it looks like Candyman wants in, but Tony Todd won’t be showing up?

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published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

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