Tobey Maguire

Tom and Leo in Inception

Two years ago, we told you about a project teaming up Leonardo DiCaprio, Tom Hardy and Tobey Maguire as producers of a drama about animal trafficking for Warner Bros. The film was inspired by Hardy’s friends, former Special Forces operatives who went on to become anti-poaching fighters in South Africa and other nations where the problem ran rampant. Although that project is still in development with Hardy in the lead, Deadline reports the same three have signed with the same studio to produce another film about the same issue, and they may all star in this one. Scripted by Will Staples, so far best known for writing video games and the as-yet-unmade Mission: Impossible 5, the new project will follow a structure somewhat in the vein of Steven Soderbergh’s Traffic, as in it’s taking a multistory approach to the impact of animal poaching. The film will explore the heinous industry from every facet and angle, from the dirty back door dealings that start the whole process, to a glimpse into the life of a poacher — and what could possibly make hunting down and slaying animals for profit a great career choice — to every single minion hanging out in the seedy dark corners of a trade that okays capturing an elephant for its ivory and storming the seas to fish for sharks for their valuable fins.

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The Great Gatsby

Five years since Baz Luhrmann‘s first certifiable flop, Australia, the flamboyant director returns for unarguably his most ambitious and anticipated effort yet, a pulse-pounding take on F. Scott Fitzgerald’s esteemed novel, The Great Gatsby (most famously adapted previously with Robert Redford in the starring role). Though this attempt boasts all of the coveted Luhrmann hallmarks, it misses the mark precisely because it indulges those very flourishes in the most sickly, overblown fashion possible. When we first meet Nick Carraway (Tobey Maguire), he’s a crestfallen alcoholic, clearly shaken by events he’s experienced. To recount his story, Carraway takes us back to his first encounters with enigmatic neighbor Jay Gatsby (Leonardo DiCaprio), who throws luxurious parties while mystique continues to grow surrounding both his identity and his sizable wealth. Meanwhile, Carraway’s decision to re-introduce Gatsby to a former flame, Daisy (Carey Mulligan) foreshadows dangerous consequences for all involved.

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First-Offical-Look-Great_Gatsby_Tobey_Maguire_Carey_Mulligan

“It’s like an amusement park!” a starry-eyed Nick Carraway (Tobey Maguire) announces without a trace of irony upon taking in the staggering excess of his first Jay Gatsby (Leonardo DiCaprio, turning in yet another stellar performance) party, a dizzying and defiant spectacle set in the sprawling mansion that just so happens to be right next door to Carraway’s own rented shack. For a time, Carraway is correct – Baz Luhrmann’s take on the classic F. Scott Fitzgerald novel is very much like an amusement park, colorful and loud and fake and relentlessly entertaining. But as the madness (chemical and otherwise) of the story burns out, so too does Luhrmann’s trademark style, and the result is a most unexpected one, as the over-the-top pageantry of The Great Gatsby crumbles into an uninspired, flaccid adaptation that manages to deflate an enduring love story of even the most basic of human emotions. Distilled down, the love story of The Great Gatsby is about a (mostly charming) criminal, liar, and fraud who is obsessed with gathering wealth and notoriety to win back the affection of a former lover who is apparently only interested in wealth and notoriety. It’s really not the sort of love story that can be deemed “satisfying” or “relatable,” but Luhrmann and his cast attempt mightily to get audiences to care about the secretive Jay Gatsby and the duplicitous Daisy Buchanan (Carey Mulligan’s dreamy Daisy, while effective at first, is ultimately too sweet for the part). Along the way, Maguire goes […]

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The Great Gatsby

If there’s one thing our culture never gets tired of, it’s tabloid news. Taking a promising young pretty person, anointing them with almost mythic stature, and then feasting on their misery like psychic vampires when they eventually succumb to scandal and fall from grace…that’s the name of the game! Seeing as the new trailer for Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s The Great Gatsby sticks pretty closely to this formula, and presents things with the flashy, kinetic visual style that the director has become famous for, chances are it’s going to do a good job of selling this story to a wider audience than was willing to read Fitzgerald’s novel in their high school English class. When it was first announced that Luhrmann was going to be tackling material as generally dry as Gatsby, and filming it in 3D no less, the entire notion seemed kind of absurd. But after watching this trailer, it starts to make a bit of sense. Leonardo DiCaprio’s character is getting what he wants by entering and mastering a world of artifice. The main drama in the story is generally concerned with who’s sleeping with who. Plus, this is a period piece that affords its director the opportunity to stage several lavish parties. All of that isn’t too far off from what Luhrmann has already done with Romeo + Juliet and Moulin Rouge!

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How awkward that the first piece of marketing for Baz Luhrmann‘s still-ludicrously-3D take on F. Scott Fitzgerald‘s most famous work to strike any sort of literary chord is this brand new batch of character posters for The Great Gatsby.Featuring the film’s six principle stars (that’s Leonardo DiCaprio as Jay Gatsby, Carey Mulligan as Daisy Buchanan, Tobey Maguire as Nick Carraway, Joel Edgerton as Tom Buchanan, Isla Fisher as Myrtle Wilson, and Elizabeth Debicki as Jordan Baker), each crisply-designed poster features a quote from the novel about their respective characters. What an idea! Using text to illuminate a new adaptation of a text. Drop the 3D, Baz, this stuff is what looks good. After the break, brush up on your high school lit, and meet Daisy, Nick, Jordan, Tom, and Myrtle.

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The Details

Hollywood does not look favorably upon suburbia. It’s understandable of course, what with all the illusory perfection and white picket fences, but from Little Children to American Beauty to Home Alone we’ve seen time and again that surface innocence hides infidelity, unhappiness and abandoned children setting deadly traps made from household items. That trend continues with Tobey Maguire‘s latest film where he plays Jeff Lang, a man who seems to have it all. A beautiful wife, a healthy little boy, a job and a home in the suburbs… what more could he want? But when a raccoon starts digging holes in his perfect back yard a chain of events is set in motion that threatens it all. The links in that chain, henceforth known as the details, are a mix of the mundane and the ridiculous, and almost without exception they see Lang behaving like a complete and utter bastard. There are laughs along the way, but as one bad domino after another falls before him he grows further and further away from a believable character we can relate to, and therein lay the film’s biggest issue. Things become a bit too outrageous and Maguire’s dueling expressions of surprise and bemusement aren’t enough to carry viewers along.

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Director Ang Lee was given a reported $100 million to make this trippy, gut-wrenching, and moving picture. An adaptation of Yann Martel‘s novel of the same name, Life of Pi is an epic art house film that was somehow granted big studio treatment. How could this happen, you ask? If any excuse could be made, it’s likely that Fox knew Lee had something this special up his sleeve. Pi Patel (Irrfan Khan) is given a lofty request by a visiting writer at the beginning of the film: “Tell me a story that will make me believe in God.” What follows is a story that may not make you run to church but at least will make you reach for a tissue. Pi tells this man, played by Rafe Spall, a tale full of suffering and hope. As a boy, he and his family are forced to move out of India, along with the zoo they own. Like most trips in film, their journey does not go smoothly. The ship is hit by a massive storm and the family is lost at sea, leaving the young Pi (Suraj Sharma) alone on a life boat with a few of their animals. Soon, he discovers he has a starving companion along for the ride in Richard Parker, who happens to be a Bengal tiger.

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The Details trailer

Though Mean Creek director Jacob Aaron Estes’ latest project, The Details, debuted all the way back at Sundance 2011, it’s just finally gearing up for a real theatrical release come November 2. Why has it sat on the shelf for so long? Maybe it’s just because the idea of watching Spider-Man act like a jerk for a couple of hours is something of a hard sell. From the looks of the film’s new trailer, The Details is a character drama that sees Tobey Maguire cheating on his wife, banging Ray Liotta’s wife, getting another woman pregnant, contemplating murder, toilet training raccoons, appreciating latte art, chatting with Kerry Washington, chatting with Dennis Haysbert, and trying out religion. Okay, so maybe there isn’t anything wrong with those last few things, but the first couple are pretty bad. Is this going to be the sort of lead character who audiences can relate to?

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Life of Pi Movie

The international trailer for Ang Lee‘s Life of Pi features none other than Sigur Rós and Coldplay. When those two bands are used, you know a trailer is really trying to tell you how hopeful, sweet, and inspiring their movie is. Our earlier looks at Lee’s film showed the visuals alone can do the moving bit, so throwing Coldplay and Sigur Rós into the mix isn’t at all needed. But God damn if those two schmaltz groups don’t help pull the heart strings Lee is aiming for even more. See how CG animals and Coldplay mix together after the jump:

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Tom Hardy, Leonardo DiCaprio, and Tobey Maguire are primarily known for being three of the most famous actors in the world, but did you also know that they’re all animal lovers? Well, they are. Or, at least, they’re looking to market a new movie to animal lovers. THR is reporting that the trio has teamed up to produce a new (still untitled) feature for Warner Bros. that will detail the horrific world of animal trafficking. Reportedly the film will look at the grizzly business from all the different angles, from the poaching of the animal out of the wild, to the way it gets chopped up and turned into boots or whatever (See my loafers? Former gophers). It’s going to be kind of like how Steven Soderbergh took an extensive look at drug trafficking in Traffic, or how The Wire looked at how Baltimore street crime affected every aspect of the city, only more horrific because of the inclusion of cuddly things that get mistreated. Why are these three guys the ones who are involved? Well, apparently the idea for the film comes from Hardy, who has friends who are former Special Forces operatives turned anti-poaching mercenaries in South Africa. And Maguire and DiCaprio? They’re just best buds who have done a lot of animal rights stuff in the past. Combine all three and you don’t quite get Captain Planet, but it’s close.

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The trailer for Baz Luhrmann‘s adaptation of F. Scott Fitzgerald‘s The Great Gatsby was all kinds of flashy and promising, so when the news of the film’s Christmas release getting scrapped broke, it seemed as if the Oscar contender wasn’t exactly the awards picture everyone was making it out to be. Warner Bros. stated the release shift was only a matter of reaching the biggest audience possible, but if they really felt that confident in their 3D Luhrmann Fest, it’s doubtful the film would’ve had a difficult time reaching a broad audience come Christmas. Now, we’ve received news which raises questions over whether Warners was one hundred percent truthful with their reasoning. Luhrmann is currently seeking outside funds to “complete” the film, with Warner Bros. unwilling to sink any more cash into the $127m project. Luhrmann is attempting to privately raise funds for both additional reshoots and to polish the film’s substantial amount of effects.

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Tobey Maguire

After toying around with frail human dependence on authority figures in Compliance (which hits select theaters on August 17th), director Craig Zobel will team with Tobey Maguire for the post-Apocalyptic feature Z for Zachariah according to Variety. Maybe it will ease our hunger for letter-based-end-of-the-world films like Y: The Last Man and World War Z which still haven’t seen the light of day. The movie is based on the Robert C. O’Brien book with a script from newcomer Nissar Modi. Continuing the trend of young adult novels featuring strong, young female leads, the story here concerns a 16-year-old girl who believes she is the last survivor of a nuclear war. Fortunately, there’s at least one other survivor – a scientist (the role Maguire will play) who is ill and getting worse. At the heart of the drama is their relationship and the love and suspicion that keeps it on an uneven keel. So there’s more Apocalypse on the way. Our long national nightmare, continues. Hopefully you’ve stocked up on bottled water.

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Drinking Games

Today, Columbia Pictures is releasing the reboot of the Spider-Man franchise with The Amazing Spider-Man. In case you don’t want to spend $15 to $20 to see this movie in IMAX 3D, you could always rent the original Sam Raimi Spider-Man and watch it. Heck, the first hour of these films is virtually identical anyway. Ten years ago, Sam Raimi’s Spider-Man broke box office records on its opening weekend, on the way to be one of the few movies to gross more than $400m in the United States. We’ll see if Andrew Garfield and Mark Webb can do that with their new movie. But in the meantime, have a few drinks with the older movie and see how it holds up.

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The release of The Amazing Spider-Man this week has left some people scratching their heads. How can a movie that is billed as “The Untold Story” be so achingly repetitive? With the first hour of the film an alternate take on the first hour of Sam Raimi’s Spider-Man from 2002, people have questioned the need to rehash essentially the same origin story of such a widely-known superhero. As reported in Latino Review, director Marc Webb insists the reboot was necessary. (Spoiler: it wasn’t.) He continues to say it was to introduce the world to a new Spider-Man and, more importantly, a new Peter Parker. (Spoiler: It really doesn’t.) Whether Webb was pressured by the studio for the redux origin or if he just wanted to not have to follow any of the Raimi canon, it seems silly to tread such familiar ground so soon. In 2002, Spider-Man continued the trend that X-Men started two years before, making superhero films profitable and possible in the big studio system. Since then, we’ve seen quite a few origin stories – from full-blown reboots of known characters as in Batman Begins to introduction of heroes who aren’t known much outside of comic book fans as in Iron Man. However, with The Man of Steel coming up next year and an obvious Batman reboot once The Dark Knight Rises finishes its run, who knows what Hollywood is going to do next?

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Forgive me if you disagree, but I can still see no earthly reason why Baz Luhrmann thinks that his take on F. Scott Fitzgerald‘s The Great Gatsby needs to be in 3D. And while the film’s first trailer should change that, should remove doubts about that pesky extra dimension, this one simply doesn’t. It’s classic Luhrmann in this new look – the energy, the colors, the splash, the spectacle, even the modern music over a classic story (cue Jay-Z and Kanye West) – and that should be enough to put the film in front of fresh eyes, but clearly the filmmaker doesn’t think so. Unfortunately, the effect of 3D made flat (and for computer viewing) means that all those big, clearly show-stopping shots come across with an air of fraudulence. It just doesn’t look real, even for Luhrmann and his trademark style. It’s also fairly obvious from this trailer alone the sort of shots Luhrmann will linger on to make the best use of his 3D – falling confetti, the swirl of a falling shirt, the curl of cigarette smoke, the swing of a polo mallet, and that’s all well and good, but it still feels remarkably pointless. Perhaps his cast, including Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, and Joel Edgerton, will breathe some life into the circus. Remember that real life is in 3D and love is blindness, and watch the first trailer for The Great Gatsby after the break.

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A Spider-Man movie starring The Social Network star Andrew Garfield should have been a big deal that made both comic book geeks and movie nerds all over the world leap and cheer in anticipation and joy. But, because The Amazing Spider-Man is coming to us so soon after Sam Raimi’s Tobey Maguire-starring Spider-Man trilogy, the reaction to the movie has more resembled a collective, “More Spider-Man? Already? Really?” Still, despite inevitable comparisons between Maguire and Garfield’s takes on the friendly neighborhood wall-crawler that are going to happening in fan circles, the two actors don’t seem to be approaching The Amazing Spider-Man’s release date feeling any sense of competition. As a matter of fact, they sat down to have a chat with one another for “VMan” magazine, and the results were quite amicable.

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Spider-Man Picture

In the newest edition of Entertainment Weekly, Andrew Garfield is keen to point out that his work in the new Amazing Spider-Man isn’t a “replacement” for the work done by Tobey Maguire even though, by definition, it is. While Sony won’t be scouring the world destroying copies of the other movies, Garfield is undoubtedly the new face of the franchise. That status was made official with the first look at his character  in action – perched on a subway train ceiling, clinging to Emma Stone while shirtless and staring over his shoulder dramatically. Ladies and gentlemen, here’s your new Spider-Man:

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Heat Vision is reporting that Baz Luhrmann’s film version of The Great Gatsby is one step closer to filling out its principle cast. Most of the main roles have already been grabbed up at this point, and by actors that fit the bill pretty nicely; but this latest news gives me pause. Reportedly Isla Fisher is in negotiations to join the cast as Myrtle Wilson. Leonardo DiCaprio is playing the charming and mysterious Gatsby, which makes sense because of DiCaprio’s leading man looks. Tobey Maguire is playing the film’s everyman narrator Nick Carraway, which makes sense because everyone already thinks of him as the ultimate everyman Peter Parker. Carey Mulligan is playing Daisy Buchanan, which makes sense because Mulligan can do anything, and being a rich white girl is probably something she can pull of in her sleep. Ben Affleck was playing Tom Buchanan, which made sense because Buchanan is a jerk that cheats on his wife and slaps ladies around and, love him or hate him, you have to admit Affleck naturally projects a bit of that doucher vibe that would fit the character perfectly. However, Deadline East Egg is reporting that Affleck has been locked to direct and star in Argo, and won’t be available for Gatsby. And now Isla Fischer is playing Myrtle Wilson, the frumpy, plain, wife of a mechanic, which makes sense because, uh… I got nothing. I sure like looking at Isla Fischer though, so good news all around!

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What is Movie News After Dark? It ain’t messin’ with you, bub. You should know that up front. It’s only bringing you the best of the weekend’s news, tidbits and otherwise noteworthy items. It believes that you shouldn’t mess around either. That’s why it recommends reading it every single night before you go to bed. Today begins with a project that I know many of you are excited about, 20th Century Fox’s Deadpool. A perfect fit is Ryan Reynolds in the titular role, as are Zombieland writers Rhett Reese and Paul Wernick on scripting duties. This week the project got a director, effects artist Tim Miller, whose credits include X-Men, X2 and Scott Pilgrim vs. the World. He has also served as the Inferno Supervisor (read: Guy Who is In Charge of Digital Explosions) on several other projects. That’s a pretty wicked line of work.

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There aren’t many things that we know for sure about Baz Luhrman’s upcoming adaptation of “The Great Gatsby.” The man won’t even admit in a straightforward way that he is making the movie. There have been rumors that it would be in 3D, but who can say? The one thing that has seemed to be locked in pretty securely, however, has been the cast. Leonardo Dicaprio has always been set to play the title character Jay Gatsby. Carey Mulligan seems to be locked into playing the lead female role of Daisy Buchanan. And Tobey Maguire is reportedly on board to play the story’s observer and narrator Nick Carraway. Well now one more actor is in talks to join Luhrmann’s sure to be gaudy retelling of F. Scott Fitzgerald’s classic tale of big mansions and romantic revenge, Armageddon’s Ben Affleck. Reportedly, Affleck is looking to sign on as Daisy’s husband, and Jay Gatsby’s chief romantic rival, Tom Buchanan. I approve of this casting. While I like Affleck much more as a writer and director than I do as an actor, when I try to imagine the jerk that would be married to and cheating on the girl I love, Affleck’s face fits in the scenario very easily. I’m sure people will have a very easy time rooting for DiCaprio to take him down and win young Ms. Mulligan’s hand. But, how I feel about a director as wildly stylistic as Luhrmann taking on such dry source material is still way up […]

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published: 12.18.2014
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published: 12.17.2014
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published: 12.15.2014
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published: 12.12.2014
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