Toad Road

2013review_horror

Boo. Now turn off the lights, pull your feet in under the covers, and keep reading for a look at our choices for the Best Horror Movies of 2013.

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discs toad road

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Toad Road James (James Davidson) is a slacker, but that shouldn’t be mistaken for meaning he sits around all day doing nothing. Instead, he sits around all day smoking, popping, and snorting anything he and his friends can get their hands on, but that starts to change when he meets the new girl, Sara (Sara Anne Jones). She’s new to the drug scene, he introduces her, and she gets hooked just as he wants out. He agrees to one last trip with her. Shrooms in hand, the two head out to the legendary Toad Road to investigate rumors of the seven gates of hell. It goes according to plan until he wakes up to discover she’s disappeared. Writer/director Jason Banker’s debut feature is low budget, raw, messy, unsure of itself, and yet oddly mesmerizing. The “horror” element introduced via the title feels almost like an afterthought added to make the film more marketable, but the core of the film works as a frequently intense and often painful look at the obvious and not so obvious struggles that come with drug addiction. The doomed love story adds to the film’s tragic allure, but the real life fate of Miss Jones sadly cements it. [DVD extras: Commentary with writer/director Jason Banker and friends, deleted scenes, featurettes, booklet]

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Toad Road - Fantasia

Toad Road is an urban legend; a mythic trail residing in the woods of York, Pennsylvania. It is said to house the seven gates leading to hell, and any unfortunate pedestrian traveling this path at night will travel through each gate individually. Sarah (Sarah Joelle Hildebrand) is fascinated by this myth upon hearing of its existence from her new boyfriend James. Point of fact, Sarah has been experiencing many new things thanks to her new beau; not the least of which being a veritable buffet of hard drugs. She gets it into her head that sucking down a narcotic cocktail and traipsing into these woods after dark will allow her to achieve a higher form of consciousness. Unfortunately, like many ideas one concocts while in an altered state, her plan goes horribly awry. There is a perception in certain circles that films made by those who attend film school are inherently smarter, more artful, and requiring of a more refined palate to appreciate. While there certainly are films that fall under this distinction, the danger of that mentality is that it gives rise to a wave of lackluster fluff masquerading under these intellectual pretenses. Enter Toad Road, which had its world premiere at Fantasia Fest. Toad Road is an empty vessel, a thinly-veiled metaphor explored a hundred times before with nowhere near as much new to bring to the table as it desperately believes it possesses. Oh, really, delving into drug addiction is similar to descending into hell? How novel.

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