The Adventures of Tintin had always been a bit of a sure thing. With Steven Spielberg behind a camera he can put wherever the hell he wants, which he does indeed do, while adapting adventurous source material that couldn’t be more up in his wheelhouse, what could go wrong? Plus, he’s got a script from a dream team of writers — Joe Cornish, Edgar Wright, and Steven Moffat — and with Peter Jackson producing. I say it again, what could go wrong? As expected, not much. This is the high flying, energetic, and playful action film that we all hope and expect from Spielberg. As nearly everyone will unanimously point out, this is what we all wanted from Indy 4. This is Spielberg at his most indulgent, and it’s fantastic seeing him working at such a level. Spielberg embraces motion-capture in a wondrous way, and he pushes every gizmo and tool he’s got to its fullest extent. If anyone oddly questioned why Tintin was done in mo-cap — besides how silly Tintin’s hair would look live-action and the logistics of having Snowy doing crazy stunts — you’ll shut up after seeing the magic on display here.