Time Travel


When I write this column, I typically don’t get the opportunity to write about movies from my teen years. I, like many, came into a cinephilic love for art and foreign cinema during college, and in that process grew to appreciate The Criterion Collection. Richard Linklater’s Dazed and Confused (1993), however, is a movie that’s followed me through various changes in my life for (I’m just now realizing as I write this) about half of my time thus far spent on Earth.



You’d be hard-pressed to find two filmmakers who are more wildly different than Woody Allen and Terrence Malick. One is a notably prolific and economic filmmaker who still releases one movie a year well into his senior years, while the other is a perfectionist who labors over his films and has thus far released, on average, barely more than one movie per decade. One has an unmistakable public persona, while the other is a notorious recluse. One makes films about life in a great city, while the other turns his lens to nature and the experience of the rural. One is as much an atheist as his characters, while the other is a spiritualist who searches for “God,” whatever that may be, through the lens of the camera. Allen and Malick are, in many ways, perfect opposites. But after watching the strong new work by each of these talented filmmakers this past weekend, it became apparent that, at least in the shared thematic preoccupations of Allen’s Midnight in Paris and Malick’s The Tree of Life, these two ostensibly dissimilar filmmakers may have more in common than meets the eye.



If there’s one thing the world needs, it’s another installment of the Melvin-ing adventurers Bill S. Preston, Esq. and Ted Theodore Logan. This is empirically true and can be shown through science (the act of pouring different colored liquids into other containers of different colored liquids). The team over at /film has gathered together some information about the possible project, but the key component is that Alex Winter is now currently reading the script, which means that a script for Bill & Ted 3 exists. Ostensibly, the story will focus on the pair writing the song that changes the world, but how will they travel in time in a world without phone booths? Oh, God. This thing is really happening, isn’t it? If only there were a way to go back in time and stop it from happening…or maybe it’ll be awesome beyond belief, and it’ll be the movie that finally brings the world together. Wouldn’t that be great? Remakes and decades-later sequels are just as in demand as “being meta” so if they can manage to make a movie about saving the world through music that ends up saving the world, that would be the highest grossing film of all time. Science strikes again.



Welcome back to Junkfood Cinema; condiments upon request. If you are unfamiliar with JFC, you lucky bastard, this is the weekly column in which I serve up some of the cheesiest, gooiest schlock I can find.



Kevin Macdonald is all set to hop in a kettle, travel to the future, and tackle one of Isaac Asimov’s greatest novels. Sadly, no robots will be involved.

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published: 01.26.2015
published: 01.26.2015
published: 01.25.2015

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