Tim Hill

According to The Hollywood Reporter, newcomer Matthew Lieberman has been signed to write the Short Circuit reboot going on over at Dimension Films. He’d previously written the not-at-all-liked Dr. Doolittle: Tail to the Chief which went straight to video on the coattails of the Eddie Murphy movies, but this project is an interesting way to get a foot in the door of the feature world. What’s more important is that Tim Hill is set to be the director. Hill’s recent work includes Alvin and the Chipmunks, Hop and Garfield: A Tail of Two Kitties (apparently everyone involved loves “tail” puns). All of that sounds awful, but once upon a time, Hill also directed Muppets From Space. How someone got from weird and wonderful to boringly broad and homogenous is anyone’s guess. Forget it, fans. It’s Chinatown. That’s sad, but the most fascinating thing about bring back Johnny Five to life is that instead of appealing to a movie geek crowd, the production is attempting to take a character from a strange little 80s movie that’s been reduced to a catch phrase and make him a children’s entertainment icon. To do that, Hill and company will be able to sidestep the treacherous balance between old fans and new by completely disregarding old fans. Of course, the bigger question will be whether a robot movie like this will fly in a time where actual robots are running our lives for us. Will Johnny look like an Erector Set that talks or will […]

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This week, Fat Guy Kevin Carr recovers from a full day of watching Armageddon back-to-back to crawl back to the multiplex. He re-lived the last eight minutes of Source Code over and over, thoroughly confusing himself. Then he stumbled into the theater next door to learn about the true meaning of Easter from Russell Brand and James Marsden. Things take a decidedly creepy turn when he watches Insidious and wets himself more than once. This led to a very unfortunate scene while he watched the sexual-predator cautionary tale Trust. No one would believe him it was just wee wee.

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As a 25-year-old Jewish man I’m about as far removed from the Hop target demographic as one could get. I’ve never celebrated Easter, I consequently have no strong emotional attachment to the Easter Bunny and I’m not overwhelmed by the notion of a drummer Easter Bunny that sounds an awful lot like Russell Brand and poops out jelly beans. Yet, here we are, faced with the strange phenomenon of an obsessively-tested, painstakingly-commercial, carefully-calibrated product that shouldn’t be any good at all somehow defying those odds. From director Tim Hill, this live action-animation hybrid is more than just a one-note marketing machine, despite those incessant ads on every conceivable NBC Universal platform and the salesman’s desperation that underwrites it. A blatant stab at surrounding the Easter Bunny with a mythology comparable to Santa’s, the picture unfolds in two settings. The first: Easter Island, home to the enormous factory that’s home base for Easter operations, filled with cascading waterfalls of chocolate and bursts of colorful candy dyes. There, teenage rabbit E.B. (Russell Brand) is being groomed by dad (Hugh Laurie) to take over the family business. The picture’s second main locale is the slightly less exotic Los Angeles, where slacker Fred (James Marsden) lives a tired, aimless existence. Our heroes’ destinies collide when E.B. flees his fate through a magical wormhole of sorts, lands in Hollywood and thanks to Fred nearly becomes the world’s most famous road kill. The tandem grows ever-closer from there, as Fred (quickly getting over any pretense of […]

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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